Posts Tagged royalty-free scripts

Video: Staged reading of “Miss Cow Pie Bingo”

Back in January, I held a staged reading of my full-length comedy MISS COW PIE BINGO at Showtimers in Roanoke, Virginia.

Here, at last, is video from that reading. (Shout-out to videographer Blake Lipscomb, who stepped in on short notice.)

Melora Kordos directed. Cast consisted of: Kelly Anglim, Tim Kennard, Patrick Kennerly, Nancy Lawrence, Jason Patrick Palmer, Emma Sala, Heather Sexton, Gwyneth Strope, with Luke Clark reading stage directions.

MISS COW PIE BINGO
A Texas mother desperately wants one of her daughters to win a beauty pageant. Problem is, neither daughter is interested. The older one just wants to shoot her gun and the younger one is busy playing video games and hacking computer sites. To make up for this, the mom hires a pageant consultant, who turns out to be fake. There’s also a robot. Comedy ensues. Cast: Five females, three males.

Here are still photos from the reading.

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“The Christmas Goat” will have staged reading in West Virginia

My 10-minute script THE CHRISTMAS GOAT is one of the scripts selected for a December festival in Huntington, West Virginia, through the Arts Resources for the Tri-State group.

I’m awaiting word on the actual date. UPDATE: Dec. 5, at 2 pm.

Here’s a description — which reflects my predilection for a) talking animals and b) especially goats.

THE CHRISTMAS GOAT
A goat wants to be part of Christmas. Dark comedy ensues. Cast of five: One female, four non-gender. Running time: Ten minutes.

So far in 2015: Read the rest of this entry »

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One final show for “One Word Macbeth” coming up in Australia

The show poster.

The show poster.

My script THE ONE-WORD MACBETH has had a fantastic run in Australia, winning awards for the Pop Culture Theatre in various one-act competitions in the state of Victoria. You can read about those here.

Now there’s just one more show to go, on October 17, in the theatre’s home base in Melbourne. Here’s the poster.

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Photos: “Three Trees Talking” in Kitchener, Ontario

Sam Liam Bentley, John Dibben and Arlene Thomas

Sam Liam Bentley, John Dibben and Arlene Thomas

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My short script THREE TREES TALKING was produced in the Asphalt Jungle Shorts walking-tour festival in Kitchener, Ontario in September 2015.

It was one of two scripts I had in the festival; THE WEAKEST FINGER was the other.

THREE TREES TALKING
Three trees contemplate the question: If they were human, what kind of human would be they? Cast: Three, non-gender. Running time: One minute.

You can find more about the festival, my previous productions there, and the group’s awesome publicity photos here.

More photos below: Read the rest of this entry »

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Photos: “The Weakest Finger” in Kitchener, Ontario

John Dibben and Deb Huggins

John Dibben and Deb Huggins

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My short script THE WEAKEST FINGER was produced in this year’s Asphalt Jungle Shorts walking-tour festival in Kitchener, Ontario in September 2015.

THE WEAKEST FINGER
An adulterous couple meet, and the man points out to the woman that the weakest finger is the ring finger – all seductively, of course. Cast: Two — 1 male, 1 female. Running time: Five minutes.

You can find more about the festival, my previous productions there, and the group’s awesome publicity photos here.

More photos below: Read the rest of this entry »

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Video from my two pieces in this year’s Gi60 Festival in New York

In June, I had two short pieces in the annual Gone in 60 Seconds Festival of one-minute plays in New York. It’s actually an international festival; I also had two pieces in the British leg of the festival in May. I’m still waiting on the video from that show, but the video from the New York festival has now been posted.

Here is: THERE ARE NO CELLPHONES IN SHAKESPEARE and AN UNEXPECTED CHEESE PARTY:

So far in 2015: Read the rest of this entry »

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“Softball Is Life” will have staged reading in New York in October

My full-length script SOFTBALL IS LIFE will have a staged reading in New York on October 22 by Sundog Theatre.

The particulars:

DATE: Thursday, Oct. 22, 2015
TIME: 8 p.m.
LOCATION: Gallerie St. George, 11 Phelps Place, Staten Island

The reading had been scheduled for back in March but got delayed when Sundog had to find a new location for its readings.

Here are photos and more from the previous staged reading of the script, in January 2014 at Showtimers in Roanoke.

SOFTBALL IS LIFE
A sports play for women that isn’t really about sports. A former high school softball star sits in prison, estranged from her 14-year-old daughter, who has inherited the woman’s talent for pitching but doesn’t realize it. While the mom tries to contact her daughter, the girl spends her time trying to avoid a dangerous situation in the home where she’s living. Cast: Eight — Four females (one to play a teenage girl), three males, one non-gender.

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Video: “The Black Market of Memories” in Chicago

Otherworld Theatre in Chicago produced my script THE BLACK MARKET OF MEMORIES as part of the Paragon festival of science fiction plays on August 22. Here’s the video.

It was one of two of my scripts in the show; the other was THE SANDSTORM.

THE BLACK MARKET OF MEMORIES
A young woman wakes up in a strange place — and discovers she’s had her memories stolen. Now that doctors have devised a way to transplant memories, there’s a lively market for memories — and a black market of stolen ones. The woman shares a recovery room with another woman, who specializes in “customizing” memories — doing things for rich donors that they’d never do themselves, but would like to remember doing. A dark, serious piece, which is carried primarily by the two women; the other characters appear only intermittently. Cast: Five — one male, two female, two non-gender. Running time: Twenty five minutes.
* Produced by End Times Productions, New York, N.Y., July 2011.
* Produced by Otherworld Theatre, Chicago, Illinois, August 2015.

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Video: “The Sandstorm” in Chicago

Otherworld Theatre in Chicago produced my script THE SANDSTORM as part of the Paragon festival of science fiction plays on August 22. Here’s the video.

It was one of two of my scripts in the show; the other was THE BLACK MARKET OF MEMORIES.

THE SANDSTORM
A dark vision from the last days of Mars. A local official in charge of building canals instead diverts some of the money to build an underground library to store his civilization’s artifacts because he knows Mars is doomed. Cast: Two non-gender. Running time: Seven or eight minutes.

So far in 2015: Read the rest of this entry »

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Final list of awards for “One Word Macbeth” in Australia

The awesome poster.

The awesome poster.

Got this email today from the producer of my show THE ONE-WORD MACBETH, which Pop Culture Theatre in Melbourne has produced in various festivals this past few months in the Victorian Drama League:

Dear Dwayne,

I thought that I would do an email to you to just give you a final summing up of how we went with your piece One Word Macbeth.

I know that Bruce has been keeping you in the loop, but just so you can see it all at once in terms of awards:

Foster One Act Play Festival:
Best Production

Kyenton One Act Play Festival:
Runner up best production
Best youth actress (Madeline Hardie)
Best youth ensemble
Best clarity and diction (Chelsea Hyde)

Mt Players One Act Play Festival:
Victorian Drama League Most Promising Performer (Laura Marmion)
Youth Encouragement Award (ensemble)

In addition to the awards above they were also nominated for Best Production at Mt Players, and the adjudicator wanted to nominate them at Kyenton for Best Production by the youth are not allowed to be considered for senior awards. (Yes we are still trying to work out how he awarded them runner up in the youth, but wanted to put them into the seniors!!)

I know that you have mentioned a couple of times about the number of the cast, so just for your own records here is how it can work with 5 performers:

Witch one, Lady Macbeth, Messenger for MacDuff – Chelsea Hyde

Witch two, Guard one, Macduff, Murderer one – Josie Hardie

Witch three, Duncan, Murderer two, Messenger for Macbeth – Alicia Henry

Macbeth – Madeline Hardie

Banquo, Guard two – Laura Marmion

The costumes for all but Macbeth were just one simple thing to show the character – Banquo for example had a tartan sash.

Macbeth was a full costume.

There was lots and lots of running for the cast!

We are filming the showcase performance and we will get you a copy of it, so you can see for yourself how we did it.

Thank you for allowing us to perform your work, thank you for taking the chance and allowing us to do it with not only youth but five of them. We had hoped to get one more performance of this production in competition but the festival declined the entry in favour of an adult one. The organizer of the festival has a history of refusing youth entries and even though the girls have nearly won against adults, she deemed once again that youth are not of a sufficient level of skill to be considered. (Even though OWM kicked the ass of their adult plays at every festival!!)

You work inspired the girls to learn Macbeth, to ask questions about Shakespeare and to suddenly bring the words of the Bard to life to them because it wasn’t just sitting in class and reading. It was a fantastic tool to teach them the importance of words and inflection, a very important lesson that they will now carry with them through their performing lives.

Yours faithfully

John Jennings

There’s one more performance of the show — October 17 at the Knox Community Theatre in Bayswater, Victoria.

* More awards for ONE WORD MACBETH in Australia
* ONE WORD MACBETH wins another award in Australia
* Photos from THE ONE WORD MACBETH in Australia
* THE ONE-WORD MACBETH to be produced in Australia

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