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Here’s a list of my scheduled productions for 2019:
1-3: Feb. 6-8: THERE’S A REASON WHY THEY CALL IT FALLING (one-act), TROUBLESHOOTING (ten-minute), THE FOUR HORSEMEN OF THE INTERNET (ten-minute), South Walton One-Act Festival, South Walton High School, South Walton Florida.
Once again, one of my short pieces was performed in the annual Asphalt Jungle Shorts festival in Kitchener, Ontario. This is a walking tour festival where the audience is led around downtown and short pieces of live theatre break out at various points. This year my piece was THE GOVERNMENT’S SECRET TIME TRAVEL PROJECT EXPOSED. It was directed by festival founder Paddy Gillard-Bentley and performed by Mason Miceveski.
My political allegory EXTRACTED will have a staged reading in New York on Sat., Nov. 16 through Equity Library Theater of New York. The reading will be at noon at NYPL-Belafonte, 203 W. 115th Street. The reading will be directed by Alexandra Scordato. Free admission, groups welcome, seating is limited, more info at 631 898 4205.
The official teaser:
A truck driver sleeping in his cab in southern California is awoken by someone banging on his door. He opens it to find two teen-age girls who say they desperately need a ride back to New York — Sam says she’s rescued her sister Libby from drug gangs in Los Angeles and needs to get her home to her family. Thus begins a strange, cross-country journey full of mysterious characters — and a dark allegorical tale.
More on EXTRACTED:
On Labor Day weekend, most people were probably thinking about the end of summer, or the beginning of fall, but my thoughts were on Christmas. We held the first rehearsal for my touring Christmas show, EXCHANGE OF GIFTS. Here are some photos.
By the way, our only Roanoke show is now SOLD OUT — three months before the event.
MORE ON EXCHANGE OF GIFTS:
The Virginia playwright Royal Shiree — a graduate of the celebrated MFA program at Hollins University — has posted this review of my play EXTRACTED on the New Play Exchange:
“ To say “Extracted” is an allegory is an understatement. The symbolism represented in forms of colors, characters, poems, and even location touches upon the current state of confusion and conflict. The use of a truck profoundly suggests how fast and far-reaching ideologies fester; sports is a common theme and implies much more than a game with a flavor of masculinity. To quote and reference history is disturbing to our present and forces us to look inward and recognize ourselves. This would be interesting to see the director’s perspective on staging this. ”
— Royal Shiree
New York audiences will get a chance on Nov. 16, when there’s a staged reading of the script through the auspices of Equity Library Theater at NYPL-Belafonte, 203 West 115th St.
Previously, EXTRACTED was a semi-finalist in the Southwest Theatre Productions competition in Austin, Texas.
My short play TROUBLESHOOTING was named “best original script” in the annual Foster One Act Play Festival in Foster, Australia — but I couldn’t accept the prize because it’s reserved for an Australian writer. Still, the honor! As Gemco posted on their Facebook page: “We are so proud that Dwayne Yancey was awarded best original script for troubleshooting! We have chosen not to accept as this award is for an Australian writer, however we are chuffed nonetheless!”
“Chuffed,” by the way, is Australian slang for “pleased.” I’m chuffed, too!
Gemco Community Players Theatre performed TROUBLESHOOTING and several other scripts (that weren’t mine) at the festival Aug. 24 in Foster in the State of Victoria. Michelle Drinnan was nominated for Best Female Actor for her work in TROUBLESHOOTING. She also won Best Supporting Female Actor for her work on another show. Meanwhile the judges gave special prizes to Michael Young, who appeared in two of the other shows. That’s relevant because he appeared last year in my play THIS ROSE HAS THORNS, produced by the student theatre company at Deakin University in Melbourne.
My 10-minute play THE DEBATE AT BOSWORTH FIELD just got a very nice review on the New Play Exchange:
“I had the pleasure of seeing this play performed three times at a recent festival in Manchester England where my play was also being produced. This hilarious, absurdist play had the English audience laughing non-stop. I love these kind of plays that take literary characters out of context. We see Richard the III with new eyes while enjoying the familiarity of his history. Mr. Yancey skillfully builds the comedy to the perfect final line.”
— Arianna Rose