Archive for category Reviews
Blank Conversations Theatre in New Mexico left this review of my play THE ONE-WORD CHRISTMAS CAROL on the New Play Exchange:
“ This is a really fun piece. Perfectly chaotic and versatile. We produced a Youtube production and, due to COVID, decided to do it with one actor and a greenscreen! The piece lends itself to whatever way you want to produce it which is perfect for a ten minute holiday play. ”
Here’s that video.
The Baltimore playwright Susan Middaugh left this review of my one-act DEATH BY POINSETTIA on the New Play Exchange.
“ What starts out as a downer evolves into an uplifting and romantic Christmas play about two lonely people who find each other at just the right time. Funny line: “They (poinsettias) might make your cat sick.” Dwayne to the rescue! ”
There’s been a real run of reviews on the New Play Exchange. A reviewer named Jared Kobre Alessandro — no more information available — left this review of my 10-minute play THE FERRYMAN AND THE THIEF:
“ A wonderful slice of greeco-roman mythology given to the modern audience. It manages to avoid the “Percy Jackson,” route, by not modernizing it and keeping true to the mythology while still being entertaining. A must read. ”
A reviewer named Isabella Castillo — don’t know more — left this review of my 10-minute play THE BEAUTIFUL OGRE AND OTHER FAIRY TALES on the New Play Exchange:
“This wonderful piece challenges the typical fairy tale stories that many of us have been fed in a fun, comedic way. The piece is a beautiful balance of being light-hearted and joyful, while also really compelling the audience to think about and challenge norms. ”
A reviewer named Angie Loveday — don’t know any more — left this review of my 10-minute play THE FERRYMAN AND THE THIEF on the New Play Exchange:
“ Well-thought story involving the basis of Greek afterlife. It leaves a nice message about the fear of the known and unknown, helping accept death. Albeit a dark ending as the child must pay his dues, but very appropriate within the story. ”
John Kelly, emeritus professor of theatre at Elmira College in Elmira, New York, has posted this review of my 10-minute play THE CONTACT LENS on the New Play Exchange:
“ A wonderfully farcical short about a woman, her lost contact lens, and oh, so much more. To say more would be… unfair. Let’s just say things get… very interesting! Give this fine bit of fun and foolery a good look! Bravo!”
The New Zealand playwright Rex McGregor has left this lovely review on the New Play Exchange for my Christmas full-length A DICKENS OF A CHRISTMAS:
“A delightful script with likable characters, witty dialogue and a twist I didn’t see coming.”
A DICKENS OF A CHRISTMAS
Two orphan girls in Victorian London desperately want a proper Christmas dinner. At first, they conspire to sneak into a private club and pass themselves off as men. Their plans are frustrated by a retired military man, and two fellow orphans. That’s when they devise another plan that involves the mean old rich woman at the end of the street. Cast: Six – three male, three female.
Here’s a video of a virtual reading of the script in September 2020.
New York playwright Larry Rinkel has posted a nice review of my full-length play GOD OF A DEAD UNIVERSE on the New Play Exchange:
” Yancey’s themes are clear – the destructive effects of climate change, here applied in a parable-like manner to Mars rather than earth. And his characters are clear as well rather than being rounded – the intrepid investigative reporter, the courageous scientist imprisoned for speaking unpalatable truths, the pompous but corrupt empty suit of a president. But what makes the play work is its skillful fast pacing and well-written dialogue. A good choice for theaters looking for a cautionary tale on climate change.”
He also had nice things to say about the short play THE MATH LESSON, which began life as a stand-alone short but was later incorporated into one scene of GOD OF A DEAD UNIVERSE.
GOD OF A DEAD UNIVERSE
A dark look at the last days of life on Mars. The Martian civilization has mismanaged its resources and is now running out of water. The rival political factions appear to have come together to install a new government, one that has embarked on a massive canal project to bring water from the poles. A newspaper reporter covering the canal project notices a discrepancy, though, and he/she begins investigating. The reporter suspects embezzlement. When the reporter confronts the chancellor, the chancellor freely admits to siphoning off money, but not for personal use. Instead, it’s to build a giant underground library in which to store Martian artifacts. The chancellor confesses that the canal project is merely a diversion to keep people busy – there’s no way it will work. The planet will run out of water long before it’s completed, and the underground library is an attempt to save at least some remnant of Martian life in case other intelligent beings ever discover it. Cast: 12 or 13, all non-gender.
New York playwright Larry Rinkel has posted a nice review of my short play THE MATH LESSON on the New Play Exchange:
“Skillfully alternating between the perspectives of two girl students and their teacher who is being grilled by her institutional higher-ups, the play creates a parable about climate change by situating the action on Mars. All characters – the stooges at the top of the school’s hierarchy, the teacher who cleverly provokes political conclusions based on irrefutable facts, and the girls caught in the middle – are well-drawn, allowing us to see each one’s point of view while clearly siding with the teacher. (This short play is clearly adapted from Yancey’s exciting full-length “God of a Dead Universe.”
It joins one from another New York playwright, Scott Sickles.
THE MATH LESSON
A math teacher at a Martian school for girls teaches a forbidden subject – how to compute the rate of evaporation of the planet’s last, dying ocean. Cast: Five – one adult female, two non-gender adults, two teen-age girls.
The Canadian playwright Christine Foster has posted this nice review of my one-act THE FIRST VAMPIRE IN TORONTO on the New Play Exchange:
“A very entertaining piece on a very unusual asylum seeker who wants to stay in Canada. A witty romp with great dialogue and lots of zany action, a truly funny “interview with a vampire.”
THE FIRST VAMPIRE IN TORONTO
A comedy about a vampire who turns up in Canada and is interviewed by the Royal Canadian Mounted Police. Cast: Five – one female, four non-gender. Note: Three of those non-gender actors play a variety of roles. Some are male, some are female, some are gender-flexible. The traditional breakdown there would be one female, two male to accommodate certain scenes but directors should feel free to cast these parts however they wish.