Posts Tagged royalty-free plays

‘The Picture Window’ produced in Connecticut

Here’s the promotional image for THE PICTURE WINDOW, a 10-minute play of mine that will be produced in November by The Orange Players in Orange, Connecticut.

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Review: ‘Miss Mitchell’s Comet’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts on the New Play Exchange this very nice review of MISS MITCHELL’S COMET, my two-person (but mostly one-woman) play about Maria Mitchell, America’s first female astronomer.

“Fascinating and well-rendered story about an important but not-well-enough-known figure in scientific history. The use of the supporting actor to play the whole cast of characters in Maria’s life is an excellent move and really brings the focus on what matters: centering Maria Mitchell in a world that doesn’t give her achievements enough credit. Fabulous piece, and I always love seeing amazing historical women centered. ”

You can find a video production of this script here.

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Review: ‘The Weird Sisters Go Rogue’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts this lovely review on the New Play Exchange of my one-act THE WEIRD SISTERS GO ROGUE:

Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”

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Photos from Cone Man Running in Houston

Cone Man Running is an annual festival of short plays in Houston, Texas. Well, almost annual. I had two shows set for 2020 that got scratched due to the pandemic but they’re now being done in this multi-week festival in late June / early July 2021.

Two border patrol agents in Arizona are on the look-out for illegal immigrants. The veteran explains the desert to the rookie, with a twist at the end. (play) (Directed by Christine Weems; Performed by Scott Searles and David Toscano)

A young assistant at a funeral home misunderstands a widow’s instructions. (play) (Directed by Kacie Adams; Performed by Rafael Lozano and David Toscano)

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‘Blood Relatives’ in Seattle festival

I’ve now taken part in 14 quick turn-around play festival. The latest was through the Rainy Day Arts Collective in Seattle although in this new virtual reality, the writers, directors and actors were from all across North America. We gathered virtually on Friday, April 9. I drew these prompts: Who (a bride), What (a game), Where (someplace scary), When (a family reunion and Why (“you’re going to have choose, is it [blank] or me?”). My result: BLOOD RELATIVES, directed by Sally Miller of Roanoke and starring Kelsey Boulton of Seattle as a vampire and Stephanie Kamau of Olympia, Washington as the fiance marrying into a vampire family.

Awesome logo by Dana Hall
The skeptical Valerie (at left) with the vampire Anastasia (right)

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Video: ‘The Stanley Cup Goes Missing’

Last month I took part in a 48-hour play challenge through This Moment Productions in Chicago. Here’s the video of the show: ‘The Stanley Cup Goes Missing,” directed by Dane Rogers and starring Stephanie Reynolds (upper left), Marc Motiejunas (upper right) and Sarah Hoback (below).

Also, here’s the awesome logo designed by Dana Hall, one of the producers.

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‘The Stanley Cup Goes Missing’ produced in Chicago

I changed the title later.

Well, kind of in Chicago. On March 26-28 I took part in a 48-hour play festival sponsored by This Moment Productions, which is in Chicago, although the theatre had writers, directors and actors from 13 states and one Canadian province.

I drew “thriller/mystery” as my genre, then we were all instructed to use “did you enjoy yourself last night?” as our opening line and “I miss moments like this more than anything” as our closing line. We also had to construct a way to explain why all our characters were speaking virtually and encouraged to make use of all the whiz-bang technology available through the Steamyard platform, including the ability to do a TV-like “crawl.” I was assigned director Dane Rogers of Cincinnati and a cast of three — Sarah Hoback of Cincinnati, Stephanie Reynolds of Des Moines and Marc Motiejunas of London, Ontario. As soon as I heard the opening line, I immediately pictured a lawyer speaking to a client in jail. Surprise! Turns out Marc really is a lawyer — a prosecutor. What I came up with: THE STANLEY CUP GOES MISSING. More photos below:

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Logo for ‘Miss Mitchell’s Comet’

Powerstories Theatre in Tampa, Florida will present my full-length script MISS MITCHELL’S COMET as part of their virtual festival Voices of Truth in March. The theatre only produces plays that are based on true stories about women and girls. My play is based on the true story of Maria Mitchell, America’s first female astronomer — and the first North American of any gender to discover a comet (1847). The show airs virtually Friday, March 12 at 8 p.m., starring Katerina Yancey of Fincastle, Virginia and Scott Cooper of Waterloo, Ontario. Here’s the logo for the show, designed by Samantha Sylvester of Mississauga, Ontario. I highly and happily recommend her work. Earlier I posted this video interview I did with the theatre.

Logo designed by Samantha Sylvester

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Video: ‘The Unopened Valentine’ in Maryland

Sandy Spring Theatre Group in Maryland (suburban DC) presented a virtual festival of Valentine’s Day shows on Feb. 13. One of them was my play THE UNOPENED VALENTINE. It starred Sally Miller of Roanoke, Virginia and Ella Kennedy of Hamilton, Ontario. Sally also directed the piece. Here’s the full festival. Mine starts at 1:25, just after intermission.

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Review: ‘The Ferryman and The Thief’

A reviewer named Angie Loveday — don’t know any more — left this review of my 10-minute play THE FERRYMAN AND THE THIEF on the New Play Exchange:

“ Well-thought story involving the basis of Greek afterlife. It leaves a nice message about the fear of the known and unknown, helping accept death. Albeit a dark ending as the child must pay his dues, but very appropriate within the story. ”

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