Posts Tagged royalty-free scripts
Hidden Valley High School in Roanoke County, Virginia produced my one-act VERONICA’S DOLLS in April 2021, directed by Joe Kavanaugh.
Last month I took part in a 48-hour play challenge through This Moment Productions in Chicago. Here’s the video of the show: ‘The Stanley Cup Goes Missing,” directed by Dane Rogers and starring Stephanie Reynolds (upper left), Marc Motiejunas (upper right) and Sarah Hoback (below).
Also, here’s the awesome logo designed by Dana Hall, one of the producers.
Well, kind of in Chicago. On March 26-28 I took part in a 48-hour play festival sponsored by This Moment Productions, which is in Chicago, although the theatre had writers, directors and actors from 13 states and one Canadian province.
I drew “thriller/mystery” as my genre, then we were all instructed to use “did you enjoy yourself last night?” as our opening line and “I miss moments like this more than anything” as our closing line. We also had to construct a way to explain why all our characters were speaking virtually and encouraged to make use of all the whiz-bang technology available through the Steamyard platform, including the ability to do a TV-like “crawl.” I was assigned director Dane Rogers of Cincinnati and a cast of three — Sarah Hoback of Cincinnati, Stephanie Reynolds of Des Moines and Marc Motiejunas of London, Ontario. As soon as I heard the opening line, I immediately pictured a lawyer speaking to a client in jail. Surprise! Turns out Marc really is a lawyer — a prosecutor. What I came up with: THE STANLEY CUP GOES MISSING. More photos below:Read the rest of this entry »
Pop Up Productions — which is based in Louisiana but used actors from seven states — produced three of my short plays the weekend of March 11-13, 2021: GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, THE SEVEN DEADLY SINS and THE FOUR HORSEMEN OF THE INTERNET. Earlier I posted some still photos. Here’s the video.
Del Norte High School in Del Norte, Colorado contacted me, gosh, way back in 2020 about producing ON THE THIRTEENTH DAY OF CHRISTMAS as a Christmas show. Then covid intervened. The show was off, then it was on, then it was delayed . . .and, frankly, I’d given up hope. But the show must go on! On February 18 and 19 the show finally managed to stage the show. Director Bill Sauvinge shares these photos.More photos below: Read the rest of this entry »
Blank Conversations Theatre in New Mexico left this review of my play THE ONE-WORD CHRISTMAS CAROL on the New Play Exchange:
“ This is a really fun piece. Perfectly chaotic and versatile. We produced a Youtube production and, due to COVID, decided to do it with one actor and a greenscreen! The piece lends itself to whatever way you want to produce it which is perfect for a ten minute holiday play. ”
Here’s that video.
Sandy Spring Theatre Group in Maryland (suburban DC) presented a virtual festival of Valentine’s Day shows on Feb. 13. One of them was my play THE UNOPENED VALENTINE. It starred Sally Miller of Roanoke, Virginia and Ella Kennedy of Hamilton, Ontario. Sally also directed the piece. Here’s the full festival. Mine starts at 1:25, just after intermission.
The Baltimore playwright Susan Middaugh left this review of my one-act DEATH BY POINSETTIA on the New Play Exchange.
“ What starts out as a downer evolves into an uplifting and romantic Christmas play about two lonely people who find each other at just the right time. Funny line: “They (poinsettias) might make your cat sick.” Dwayne to the rescue! ”
There’s been a real run of reviews on the New Play Exchange. A reviewer named Jared Kobre Alessandro — no more information available — left this review of my 10-minute play THE FERRYMAN AND THE THIEF:
“ A wonderful slice of greeco-roman mythology given to the modern audience. It manages to avoid the “Percy Jackson,” route, by not modernizing it and keeping true to the mythology while still being entertaining. A must read. ”
A reviewer named Isabella Castillo — don’t know more — left this review of my 10-minute play THE BEAUTIFUL OGRE AND OTHER FAIRY TALES on the New Play Exchange:
“This wonderful piece challenges the typical fairy tale stories that many of us have been fed in a fun, comedic way. The piece is a beautiful balance of being light-hearted and joyful, while also really compelling the audience to think about and challenge norms. ”