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Overnight Sensations by night: 17,000 Heads

For the 10th time, I took part as a writer in Overnight Sensations, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. I’ve also taken part in five other timed writing events at other theatres, so this was my 15th overall. Previous posts showed went what down on Friday night and Saturday by day. Now it’s time to talk about the show.

My first thought when I drew science fiction was something with aliens. And my first thought when I drew a setting in a cocktail lounge was something in Las Vegas or otherwise near Area 51 in Nevada. That also seemed too obvious to me, so I started thinking about other science fiction concepts that didn’t involve aliens. One was time travel. I was also intrigued about setting the show in a different time period and some unexpected place. When I met with the cast, I found that some could speak French. That led me to this: The owner of a cocktail lounge in Montreal is a devoted French royalist and has hired a mad scientist to bring back through time Dr. Guillotine, who inspired the device that now bears his name, in a bid to prevent the French Revolution. That mad scientist will use a piano, tuned to a frequency we can’t hear, to open a sonic door through time. The experiment works better than anyone thought: Not only does Dr. Guillotine appear, but so does Marie Antoinette, who proceeds to tell him how long a human head survives after it’s been severed from the body. I don’t normally write dark, but this is dark — another unexpected twist for my fans.

At 5 p.m., the groups returned to the main stage for a cue-to-cue walk-through — and I returned from my nap. I don’t have phots from the actual performance but I do have these:

Bryan Hancock as the bartender, Mary Jean Levin as the cocktail lounge owner, Sophia Menconi as the piano player, Mack Burns as the mad scientist.

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Photos from ‘Revenge of the Fairy Queen’ in Lynchburg, Va.

Renaissance Theatre in Lynchburg, Virginia produced “Revenge of the Fairy Queen” for three weekends in June 2023. Directed by Amber Carderelli, with Sarah Mandel as assistant director/stage manager and Tony Quaranta as production manager.

An awesome poster

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Photos from ‘Shakespeare’s Lost Christmas Play’ in North Carolina

Christmas keeps coming! Here are photos from ‘Shakespeare’s Lost Christmas Play’ by Players of the Bard, Youngsville, North Carolina in December 2021.

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Video: ‘Shakespeare’s Lost Christmas Play’ in Minnesota

Pine Island High School in Pine Island, Minnesota produced SHAKESPEARE’S LOST CHRISTMAS PLAY in December 2021. Here it is:

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‘Shakespeare’s Lost Christmas Play’ in Birmingham, UK

Infinite Arts in Birgmingham, England, UK produced my play SHAKESPEARE’S LOST CHRISTMAS PLAY in December, and also sent along some fan mail!

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Staged reading of ‘The Girl Who Made Emus Believe They Could Fly at Christmas’

The Valley Playhouse in Harrisonburg did a staged reading of my one-act THE GIRL WHO MADE EMUS BELIEVE THEY COULD FLY AT CHRISTMAS on December 5, 2021, as part of the city’s Winterfest festival.

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Photos from ‘Macbeth, the Sanitized Version’ in Toronto

Early in the pandemic I wrote a 10-minute play called MACBETH, THE SANITIZED VERSION. In November 2021, it had a virtual production from the University of Toronto Scarborough. I especially liked the use of kitchen tools as as sword.

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Review: ‘Miss Mitchell’s Comet’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts on the New Play Exchange this very nice review of MISS MITCHELL’S COMET, my two-person (but mostly one-woman) play about Maria Mitchell, America’s first female astronomer.

“Fascinating and well-rendered story about an important but not-well-enough-known figure in scientific history. The use of the supporting actor to play the whole cast of characters in Maria’s life is an excellent move and really brings the focus on what matters: centering Maria Mitchell in a world that doesn’t give her achievements enough credit. Fabulous piece, and I always love seeing amazing historical women centered. ”

You can find a video production of this script here.

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Review: ‘The Weird Sisters Go Rogue’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts this lovely review on the New Play Exchange of my one-act THE WEIRD SISTERS GO ROGUE:

Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”

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Video: ‘Sometimes Elephants Die Standing Up’

Chill Bucket Productions, based both in Seattle and Westchester County, New York, produced by 10-minute play SOMETIMES ELEPHANTS DIE STANDING UP, in July.

 

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