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In January, Showtimers community theatre in Roanoke, Virginia contacted me and asked if I would write them a script for a special event they were planning in May. What they wanted was a “silly script for a cast of six” that they’d do as an outdoor reading. The catch is that the cast wouldn’t see the script until they stepped on stage. So I wrote the script — THE SHOW MUST GO ON (WITH SOME EXCEPTIONS. To test it out, I held a private Zoom reading with a cast from Canada. Let’s give a shout-out to that cast:
Stage directions: Stacey Halloran
Toby: Robin Bennett
Percy: Mason Micevski
Cee Cee: Emily Bolyea-Kyere
Dee Dee: Arlene Thomas
Third Tree From the Left: Giselle Magie
Director: Lynne McIntee
Showtimers cast the show randomly, so wound up with one man playing a female role and one woman playing a male role:
Toby: Norm Fergusn
Percy: Sherilyn Lawson
Cee Cee: Bev Amsler
Dee Dee: Owen Merritt
Third Tree From the Left: Cathy Fisher
Director: Jayne Brill
Curtain call. From left: Cathy Fisher, Owen Merritt, Bev Amsler, Norm Ferguson, Jayne Brill, Sherilyn Lawson.
For more photos, see here.
I’ve now taken part in 14 quick turn-around play festival. The latest was through the Rainy Day Arts Collective in Seattle although in this new virtual reality, the writers, directors and actors were from all across North America. We gathered virtually on Friday, April 9. I drew these prompts: Who (a bride), What (a game), Where (someplace scary), When (a family reunion and Why (“you’re going to have choose, is it [blank] or me?”). My result: BLOOD RELATIVES, directed by Sally Miller of Roanoke and starring Kelsey Boulton of Seattle as a vampire and Stephanie Kamau of Olympia, Washington as the fiance marrying into a vampire family.
Hidden Valley High School in Roanoke County, Virginia produced my one-act VERONICA’S DOLLS in April 2021, directed by Joe Kavanaugh.
Last month I took part in a 48-hour play challenge through This Moment Productions in Chicago. Here’s the video of the show: ‘The Stanley Cup Goes Missing,” directed by Dane Rogers and starring Stephanie Reynolds (upper left), Marc Motiejunas (upper right) and Sarah Hoback (below).
Also, here’s the awesome logo designed by Dana Hall, one of the producers.
Well, kind of in Chicago. On March 26-28 I took part in a 48-hour play festival sponsored by This Moment Productions, which is in Chicago, although the theatre had writers, directors and actors from 13 states and one Canadian province.
I drew “thriller/mystery” as my genre, then we were all instructed to use “did you enjoy yourself last night?” as our opening line and “I miss moments like this more than anything” as our closing line. We also had to construct a way to explain why all our characters were speaking virtually and encouraged to make use of all the whiz-bang technology available through the Steamyard platform, including the ability to do a TV-like “crawl.” I was assigned director Dane Rogers of Cincinnati and a cast of three — Sarah Hoback of Cincinnati, Stephanie Reynolds of Des Moines and Marc Motiejunas of London, Ontario. As soon as I heard the opening line, I immediately pictured a lawyer speaking to a client in jail. Surprise! Turns out Marc really is a lawyer — a prosecutor. What I came up with: THE STANLEY CUP GOES MISSING. More photos below:Read the rest of this entry »
Pop Up Productions — which is based in Louisiana but used actors from seven states — produced three of my short plays the weekend of March 11-13, 2021: GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, THE SEVEN DEADLY SINS and THE FOUR HORSEMEN OF THE INTERNET. Earlier I posted some still photos. Here’s the video.
Well, definitely three one-acts but only kind of in Louisiana. Pop Up Productions actually had 12 actors in seven states to perform three of my one-acts: GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, THE SEVEN DEADLY SINS and THE FOUR HORSEMEN OF THE INTERNET.More photos below! Read the rest of this entry »
Paris Junior College in Paris, Texas planned to produce my ten-minute play THE SANDSTORM in 2020 as part of a festival. Alas, COVID-19 intervened. But the show must go on – and did, in a rescheduled festival in February 2021. Here are Will Montgomery Walker and Robyn Huizinga playing the two parts of a Martian provincial minister whose financial dealings are being investigated by a government auditor (they alternate roles each night). Directed by Lisa Martin.Read the rest of this entry »
Blank Conversations Theatre in New Mexico left this review of my play THE ONE-WORD CHRISTMAS CAROL on the New Play Exchange:
“ This is a really fun piece. Perfectly chaotic and versatile. We produced a Youtube production and, due to COVID, decided to do it with one actor and a greenscreen! The piece lends itself to whatever way you want to produce it which is perfect for a ten minute holiday play. ”
Here’s that video.
Powerstories Theatre in Tampa, Florida will present my full-length script MISS MITCHELL’S COMET as part of their virtual festival Voices of Truth in March. The theatre only produces plays that are based on true stories about women and girls. My play is based on the true story of Maria Mitchell, America’s first female astronomer — and the first North American of any gender to discover a comet (1847). The show airs virtually Friday, March 12 at 8 p.m., starring Katerina Yancey of Fincastle, Virginia and Scott Cooper of Waterloo, Ontario. Here’s the logo for the show, designed by Samantha Sylvester of Mississauga, Ontario. I highly and happily recommend her work. Earlier I posted this video interview I did with the theatre.