Archive for category Productions

Video: ‘The American Experiment’ by JaYo Théâtre

The Washington, D.C.-based JaYo Théâtre produced my play THE AMERICAN EXPERIMENT via Zoom on August 2, 2020 with an international cast (at least two of the cast members were from British Columbia).

Columbia: Lenny Mendez
Alkie: Elizabeth Aviva W
Buffy: Kira Simmons
Mrs. Page: Jacqueline Elisabeth
Agent: Matt Williams
Xenia: Fergie Fergusson-Vaux
Yo: Tamar Gasko
Zero: Megha Shetty
Narrator: Emmanuel Epitacio

THE AMERICAN EXPERIMENT
An allegory about immigration. A 13-year-old orphan has an American flag on her face. The orphanage tries to market her as a celebrity. A mysterious government agency has another plan – to test her blood and use it to replicate a new race. Cast: Eight – seven female, one male. Note that six of the seven females are teenagers. Running time: One hour.

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Photos: ‘The Armadillo Queen’ in Colorado

She’s the Armadillo Queen and she doesn’t like it.

Fountain Community Theater in Fountain, Colorado produced my full-length script THE ARMADILLO QUEEN June 12-13 as an outdoor show. The show had been scheduled for indoors in April but was delayed by the COVID-19 pandemic. More photos here.

This was the premiere production. The show first had a staged reading in 2016 at Renaissance Theatre in Lynchburg, Virginia. It will be published later this year by Norman Maine / Big Dog Plays.

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Video: ‘The Seven Deadly Sins’ in Virginia

In June 2020, our pandemic summer, Showtimers in Roanoke, Virginia produced my short play THE SEVEN DEADLY SINS as a Zoom production, directed by Sally Miller. Here ’tis.

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Photos from ‘The Girl Who Made Emus Believe They Could Fly’ in Mass.

Emus take flight.

The Quannapowitt Players Suburban Holidays festival in Reading, Mass. produced my one-act
THE GIRL WHO MADE EMUS BELIEVE THEY COULD FLY in November and December 2019. Out of the blue, they sent me these photos with the note: “It was perhaps the best received play this year.”

More below: Read the rest of this entry »

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Video: ‘Q Downsized’ produced in Israel, my 16th country

https://video-atl3-1.xx.fbcdn.net/v/t42.26565-2/10000000_1990168101115065_3204405683438120351_n.mp4?_nc_cat=101&_nc_sid=985c63&efg=eyJ2ZW5jb2RlX3RhZyI6Im9lcF9zZCJ9&_nc_ohc=610Bbc7ndTUAX9NLckn&_nc_ht=video-atl3-1.xx&oh=489299dd59879db0161142a5436db6ec&oe=5ECF2869

Center Stage Israel in Ra’anana, Israel produced my short play Q DOWNSIZED on May 17, 2020 as part of a virtual festival of short plays.

This marks my Israeli debut and the 16th country in which I’ve had my work performed.

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Video reading of ‘A Maple Leaf on the Wind’

On May 16, I held a reading via Zoom of my play A MAPLE LEAF ON THE WIND, a romantic comedy in which half the characters are non-human and one is non-corporeal. I also did it with a cast from Canada.

Stage Directions: Arlene Thomas (Kitchener, Ontario)
Veronica: Ella Kennedy (Hamilton, Ontario)
The Wind: Emily Bolyea-Kyere (Hamilton, Ontario)
Tex: Owen Lapsley (Hamilton, Ontario)
Rex: Mason Micevski (Hamilton, Ontario)

A MAPLE LEAF ON THE WIND

A quirky international love story. The Wind tries to play matchmaker between a lonely Canadian girl on the prairie of Manitoba and a lonely American boy in Texas. There’s also a talking chicken. Cast: Four – two male, two female.
* Finalist, Best Medicine Rep, Gaithersburg, Maryland, 2018.

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Video: Reading of ‘Red Moon Rising in the East’

Little Theatre of Norfolk in Norfolk, Virginia hosted a Zoom reading of my play RED MOON RISING IN THE EAST on May 13, 2020. This is a one-man play based on the story of Sergei Korolev, the father of the Soviet space program. He was a force of nature who almost single-handedly willed the Soviets into space, battling both the odds and his own government. However, his name was a state secret in the Soviet Union so he’s still little-known in the West, even though all the big firsts — the first satellite, the first satellite to the moon, the first man in space, the first woman in space — were all his doing. Bill Armstrong performed this role in 2009 at 40th Street Stage in Norfolk, then again in 2010 at The Venue in Norfolk. Here he is again.

Here’s a link to previous productions of this show.

Bonus: At the end of this video is a Q&A with with actor and playwright.

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Two short pieces performed virtually from Houston

New York actress Miranda Jonte is riding out the pandemic in Houston, where she’s performing virtually over Facebook as Back Porch Theater. Here she is on May 9 performing two of my pieces, LADY MACBETH’S LAMENT and DELICACIES.

Best of all are her descriptions of my work: “Quirky, knowing . . . dark and droll . . . dark and funny.” Those are the best blurbs of all time!

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‘Curiosity Killed The Cat’ produced virtually in Michigan

The show poster

Four years ago — in 2016 — Emily Clark directed my one-act CATCH OF THE DAY at Michigan State University. Out of the blue, I got an email from her recently. She and several others had put together OnLive Theatre and were planning r a virtual theatre camp for kids. I sent her some and she wound up picking my CURIOSITY KILLED THE CAT. On May 9, it was produced virtually over Zoom with a cast of nine kids, who probably ranged from 10 to 16, a little unclear on that. It was a remarkable performance. All the kids were rehearsed virtually and had to costume themselves with whatever they could find at home. It was a really creative performance that shows just how much can be done virtually.

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Video performance of ‘Chef Pierre Does Not Do Simple’

Phoenix Tears Productions in Orlando, Florida produced my 10-minute play CHEF PIERRE DOES NOT DO SIMPLE as a livestreamed video on May 5 as part of an evening of other livestreamed shows.

That’s Kira Silverman as Chef Pierre, Madison Payne as the producer and Shayna Leigh Silverman as the other TV person who comes in near the end.

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