Archive for category Productions
My political allegory EXTRACTED will have a staged reading in New York on Sat., Nov. 16 through Equity Library Theater of New York. The reading will be at noon at NYPL-Belafonte, 203 W. 115th Street. The reading will be directed by Alexandra Scordato. Free admission, groups welcome, seating is limited, more info at 631 898 4205.
The official teaser:
A truck driver sleeping in his cab in southern California is awoken by someone banging on his door. He opens it to find two teen-age girls who say they desperately need a ride back to New York — Sam says she’s rescued her sister Libby from drug gangs in Los Angeles and needs to get her home to her family. Thus begins a strange, cross-country journey full of mysterious characters — and a dark allegorical tale.
More on EXTRACTED:
On Labor Day weekend, most people were probably thinking about the end of summer, or the beginning of fall, but my thoughts were on Christmas. We held the first rehearsal for my touring Christmas show, EXCHANGE OF GIFTS. Here are some photos.
By the way, our only Roanoke show is now SOLD OUT — three months before the event.
MORE ON EXCHANGE OF GIFTS:
My short play TROUBLESHOOTING was named “best original script” in the annual Foster One Act Play Festival in Foster, Australia — but I couldn’t accept the prize because it’s reserved for an Australian writer. Still, the honor! As Gemco posted on their Facebook page: “We are so proud that Dwayne Yancey was awarded best original script for troubleshooting! We have chosen not to accept as this award is for an Australian writer, however we are chuffed nonetheless!”
“Chuffed,” by the way, is Australian slang for “pleased.” I’m chuffed, too!
Gemco Community Players Theatre performed TROUBLESHOOTING and several other scripts (that weren’t mine) at the festival Aug. 24 in Foster in the State of Victoria. Michelle Drinnan was nominated for Best Female Actor for her work in TROUBLESHOOTING. She also won Best Supporting Female Actor for her work on another show. Meanwhile the judges gave special prizes to Michael Young, who appeared in two of the other shows. That’s relevant because he appeared last year in my play THIS ROSE HAS THORNS, produced by the student theatre company at Deakin University in Melbourne.
My 10-minute play THE DEBATE AT BOSWORTH FIELD just got a very nice review on the New Play Exchange:
“I had the pleasure of seeing this play performed three times at a recent festival in Manchester England where my play was also being produced. This hilarious, absurdist play had the English audience laughing non-stop. I love these kind of plays that take literary characters out of context. We see Richard the III with new eyes while enjoying the familiarity of his history. Mr. Yancey skillfully builds the comedy to the perfect final line.”
— Arianna Rose
Eight times in the past 12 years, I’ve been a writer in the Overnight Sensations 24-hour play festival in Roanoke that Hollins University and Mill Mountain Theatre produce each summer. A few weeks ago, I saw where Ixion Ensemble in Lansing, Michigan was holding a 24-hour play festival and were looking for writers. I emailed to apply, citing my Overnight Sensations experience. They said thanks, but we’re already full. OK, no problem, moving on. Then last week they emailed me to say, oh, someone got sick and had to drop out, still available? I was. So over the weekend I took part in my first 24-hour play festival remotely.
About 10:30 Friday night I was emailed the prompts:
-Use at least one of these names: Chad, Melissa or Paige
-Words to use: Art, cheesemaking, urban and beat
Dialogue: “You can’t make me…” Or “It is if the cheese is talking”
Only real guidelines: ten minutes and you only have three actors.
By Saturday morning I had written and emailed in WAITING ON THE 10:15. I was under the impression all the teams were two women and one man, so I wrote it with two female gunfighters. Turns out my cast — randomly assigned — was two men and one woman so I’m guessing one of the guys played “Melissa.”
WAITING ON THE 10:15
Two female gunfighters appear to be ready to square off against one another in the streets of an old western town. They’re waiting on the undertaker to pronounce when it’s high noon – timed to the arrival of the 10:15 train, which is always late. We eventually learn, though, they were not gunfighters at all, but makers of cheese. Their batch of Swiss cheese hasn’t come out well, so they’re about to shoot holes in it. Cast: Three – two women, one man.
* Produced by Ixion Ensemble, Lansing, Michigan, Aug. 18, 2019, as part of a 24-hour play festival.
My 10-minute play THE DEBATE AT BOSWORTH FIELD was included in the Fight Like a Girl! festival in Manchester, Great Britain — a fund-raiser to fight cancer. Don’t have any photos from my piece but here’s the curtain call with all the casts. Pretty sure that’s producer Andy Pilkington in the yellow.
THE DEBATE AT BOSWORTH FIELD
Imagine if Richard III and Henry Tudor had met in a campaign-style debate instead. This time, Richard wins. Cast: 8 – 5 male, 2 female, 1 non-gender.
*Produced by Fight Like A Girl Festival, Manchester, Great Britain, Aug. 15-17, 2019.
My 10-minute play THE BEAUTIFUL OGRE AND OTHER FAIRY TALES was produced Aug. 2-3 in Akron, Ohio by KenMore Kreative. This marked the 14th production of that script. Here are photos, courtesy of Yulia Gray.
More photos below.
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