Archive for category Productions
The Tennessee-based Audio Amphitheater has produced my one-act play AUNT MILLIE’S CAT as a podcast. It’s on both Apple and Spotify. Here it is on Spotify. Produced and directed by Bret Carson, starring Jenna Foster as Angie and Jose Garcia as the cat.
My very short monologue AS ASIAN AS APPLE PIE was included in The Faces of America monologue festival by The Playground Experiment in New York on Nov. 21. Here’s the whole show:
Little Theatre of Norfolk has produced my one-man play about the father of the Soviet space program as a virtual show. The theatre staged the show without an audience, filmed it, and has posted it online through the platform ShowTix4U. Here’s Brian Cebrian as Sergei Korolev. This marks the fifth production of the show — at the moment, it’s my most-produced full-length show.
In August, I wrote the short play THE WEIRD SISTERS GO ROGUE as play of a 22-hour play festival through the Honestly Speaking theatre group in Washington (although it didn’t get produced until September). Now it’s gone on to a second life in a virtual production by the Pumphouse Players in Carterville, Georgia. Here are some screenshots of the three actresses playing the witches from Macbeth.
My short monologue BOLIVIA! is getting a lot of traction in virtual festivals in this year of the pandemic. So far, it’s been performed in festivals in New York, Missouri and now this festival out of London by a group called The Queens of Cups. Here’s the video — BOLIVIA! is the third one in the order. It was performed by Georgia Goodman who was featured in a Super Bowl ad in 2017.
Fountain Community Theater in Fountain, Colorado produced my full-length script THE ARMADILLO QUEEN in June 2020 — as an outdoor show to allow for social distancing during the pandemic. Here’s the video. The production was notable because the female characters of Cee Cee and Dee Dee were played by men.
Mrs. Battleaxe: Alyson Bates
Gypsy Jane: Chalica Pack
Charlie: Kaleb Rodriguez
Sara: Emily Solomon
Dee Dee: Justin Frizzell
Cee Cee: Cory Rothermal
Stage crew: Zachariah Werner
Lighting: Cory Rothermal
This was the premiere production of the show — which previously had a staged reading at Renaissance Theatre in Lynchburg, Virginia in 2016. The script will soon be published by Norman Maine / Big Dog Plays. Still photos from the production are here.
Talking Horse Productions in Columbia, Missouri is posting a monologue a day for the month of September and asking people to “vote” for their favorite by making a donation here: https://paypal.me/TalkingHorse?locale.x=en_US (It’s a fund-raiser for the theatre). Here’s their video production of my short piece, BOLIVIA!, performed by Sarah Jost.
In August, I signed up for an overnight play festival through Honestly Speaking, a theatre group in Washington, D.C. The theme: “It was a dark and stormy night.” Had to incorporate a roll of paper towels. I drew a cast of three teen-age girls. To me that meant just one thing: The Weird Sisters from Macbeth.
So I wrote THE WEIRD SISTERS GO ROGUE.
Some of the cast were no-shows for rehearsals, so performance of my piece got bumped to September 12 — so still a 24-hour (more like 22 hour) play festival, just with a big intermission!
Attic Productions of Fincastle, Virginia has produced a video version of my one-act THE ANGEL OF BROOKLYN, starring Wyatt Ewell and Skylar Gay and directed by Sally Miller.
Attic would appreciate donations here.
THE ANGEL OF BROOKLYN
When Bud was a boy, he was a Brooklyn Dodgers fan. When the Dodgers moved to Los Angeles, he vowed to God that he would never again be a baseball fan. Now in retirement, Bud still nurses resentment; but an angel arrives to free him from his vow. Cast: Two or three, depending on which ending you choose. Either one male, one female or one male, two females. Running time: 25 minutes.
• Produced by Hovey Players, Summer Arts Festival, Waltham, Mass., July 2005.
* Staged reading at Studio Roanoke, Roanoke, Va., April 2009.
* Staged reading as a radio play, Falcon Radio Theatre, Seattle, Washington, January 2013.
On August 15, I held a Zoom reading of my Christmas play, THE BROKEN ANGEL, with a cast from Ontario.
Stage directions: Giselle Magie (Hamilton, Ontario)
Fluffy: Mason Micevski (Hamilton, Ontario)
Riley: Ella Kennedy (Hamilton, Ontario)
Debbie: Lynne McIntee (Guelph, Ontario)
Angel: Emily Bolyea-Kyere (Hamilton, Ontario)
Church mouse: Arlene Thomas (Kitchener, Ontario)
THE BROKEN ANGEL
A Christmas story that involves a talking cat, a talking mouse, an angel and a newly-single mom and her son/daughter. Christmas is approaching and there’s not much joy for Riley (who can be anywhere from roughly 8-15). His/her parents have broken up and his/her mother says there’s not enough money for even a Christmas tree. Riley decides to fashion his/her own — out of beer cans salvaged from the trash, with sticks to serve as limbs. The mom is touched by this gesture, and, against her better judgement, agrees to hang ornaments on it — including a very old angel ornament that once belonged to her grandmother. The cat — who can talk to the audience, but no one else — tries to warn that this isn’t a good idea, but the humans don’t listen. The ornament falls and breaks, angering the mom, who orders Riley to bed while she tries to drink away her sorrows. It’s then that the broken ornament turns into a real angel, who tries to deliver an important message. Cast: Five. Two females, and three non-gender (including the child).