Dwayne Yancey

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Photos from ‘Macbeth, the Sanitized Version’ in Toronto

Early in the pandemic I wrote a 10-minute play called MACBETH, THE SANITIZED VERSION. In November 2021, it had a virtual production from the University of Toronto Scarborough. I especially liked the use of kitchen tools as as sword.

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Photo from ‘Delicacies’ in Hamilton, Ontario

Emerson Arts in Hamilton, Ontario produced three short pieces of mine as part of their spooky October festival. Here’s a photo from one of them — ‘Delicacies.’ Don’t ask what she’s eating. That’s the punch line.

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‘The Picture Window’ produced in Connecticut

Here’s the promotional image for THE PICTURE WINDOW, a 10-minute play of mine that will be produced in November by The Orange Players in Orange, Connecticut.

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Review: ‘Miss Mitchell’s Comet’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts on the New Play Exchange this very nice review of MISS MITCHELL’S COMET, my two-person (but mostly one-woman) play about Maria Mitchell, America’s first female astronomer.

“Fascinating and well-rendered story about an important but not-well-enough-known figure in scientific history. The use of the supporting actor to play the whole cast of characters in Maria’s life is an excellent move and really brings the focus on what matters: centering Maria Mitchell in a world that doesn’t give her achievements enough credit. Fabulous piece, and I always love seeing amazing historical women centered. ”

You can find a video production of this script here.

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Review: ‘The Weird Sisters Go Rogue’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts this lovely review on the New Play Exchange of my one-act THE WEIRD SISTERS GO ROGUE:

Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”

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Video: ‘Sometimes Elephants Die Standing Up’

Chill Bucket Productions, based both in Seattle and Westchester County, New York, produced by 10-minute play SOMETIMES ELEPHANTS DIE STANDING UP, in July.

 

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Photos from Overnight Sensations: ‘The Secret Agent’

For the ninth time in 14 years, I was invited to be a writer in Overnight Sensations, the 24-hour play festival put on each year by Hollins University and Mill Mountain Theatre. This year it was virtual, which was not as much fun, but I still got a good script out of it. It was produced July 10.

THE SECRET AGENT
An incompetent Russian spy is given a make-or-break assignment: Instead, he hacks into a crystal ball of a fortune teller, who is being visited by a baseball scout. Comedy ensues. Cast: Four — three male, one female.

The sports agent.
The fortune teller.
A Russian spy chief.

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Photos from Cone Man Running in Houston

Cone Man Running is an annual festival of short plays in Houston, Texas. Well, almost annual. I had two shows set for 2020 that got scratched due to the pandemic but they’re now being done in this multi-week festival in late June / early July 2021.

Two border patrol agents in Arizona are on the look-out for illegal immigrants. The veteran explains the desert to the rookie, with a twist at the end. (play) (Directed by Christine Weems; Performed by Scott Searles and David Toscano)

A young assistant at a funeral home misunderstands a widow’s instructions. (play) (Directed by Kacie Adams; Performed by Rafael Lozano and David Toscano)

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‘The Show Must Go On (With Some Exceptions) in Virginia

Some of the action.

In January, Showtimers community theatre in Roanoke, Virginia contacted me and asked if I would write them a script for a special event they were planning in May. What they wanted was a “silly script for a cast of six” that they’d do as an outdoor reading. The catch is that the cast wouldn’t see the script until they stepped on stage. So I wrote the script — THE SHOW MUST GO ON (WITH SOME EXCEPTIONS. To test it out, I held a private Zoom reading with a cast from Canada. Let’s give a shout-out to that cast:

Stage directions: Stacey Halloran
Toby: Robin Bennett
Percy: Mason Micevski
Cee Cee: Emily Bolyea-Kyere
Dee Dee: Arlene Thomas
Third Tree From the Left: Giselle Magie
Director: Lynne McIntee

Showtimers cast the show randomly, so wound up with one man playing a female role and one woman playing a male role:
Toby: Norm Fergusn
Percy: Sherilyn Lawson
Cee Cee: Bev Amsler
Dee Dee: Owen Merritt
Third Tree From the Left: Cathy Fisher
Director: Jayne Brill

All Owen Merritt knew at this point is that he would be playing a woman. So, nail polish and lipstick.

Curtain call. From left: Cathy Fisher, Owen Merritt, Bev Amsler, Norm Ferguson, Jayne Brill, Sherilyn Lawson.

For more photos, see here.

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Four pieces in Florida

Rough Magic Shakespeare Company in Florida produced four of my short pieces as part of their Shakespeare’s birthday celebration on April 23, 2021. Three of the four pieces — THE SHIPWRECK, THE GROUNDSKEEPER and MESSAGE IN A BOTTLE — were written in their quick-turnaround challenge event, the 14th quick turnaround play festival I’ve been involved in. The fourth, LADY MACBETH’S LAMENT, is an older piece.

“The Shipwreck.”
“The Groundskeeper”
“Message in a Bottle.” Notice the beard is now longer.
“Lady Macbeth’s Lament”

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