Posts Tagged royalty-free plays

“The One-Word Macbeth” wins another award in Australia

One of the actresses with the award.

One of the actresses with the award. The production was called “blood-curdingly amazing.”

Pop Culture Theatre of Melbourne won another award this weekend with a production of my script THE ONE-WORD MACBETH.

The production took “Most Outstanding Youth Production” in the South Gippsland One-Act Play Festival in Foster, Australia, one of a series of festivals through the Victorian Drama League that the group is entered in.

Next up: Kyneton’s Festival of One-Act Plays in Kyneton on Sept. 4-6 and a date TBA in October in Melbourne.

You can find photos from a previous production in Macedon here and more about the show in general here.

The production was called “blood-curdingly amazing.” One critic said: “Loved the play. A clever concept that’s difficult to do well, but they pulled it off.”

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Photos from “The One Word Macbeth” in Australia

The Melbourne theatre company Pop Culture Theatre is producing my one-act THE ONE WORD MACBETH to enter in festivals around the state of Victoria over the coming months. The first production was July 25 in Macedon, Victoria.

The host theatre, Mount Players, tells me: “They were nominated for best production and best director. They won the youth encouragement award. Also, the girl who played Banquo won the VDL (Victorian Drama League) Most Promising Performer award. So it’s safe to say they did your work proud!”

The awesome poster.

The awesome poster.

Here’s how Pop Culture Theatre described it:

A cold weekend up in Macedon – cold, but fun! The Mount Players put on a great festival and were very welcoming to PCT for only our second outing down that way. All four of our plays went over well, as adjudicator Ray Hare was more than happy to tell all. “PCT strikes again!” he said, frequently, complementing us on our fine work, meeting the theatrical challenges of our scripts with nuanced performances and poignancy. All his words.

This weekend also saw our youth group hit the stage for the first time, with “One Word Macbeth”. And as you’ll see from the results, the kids sure came out swinging!

THE AWARDS
VDL Most Promising Performer Award: Laura Marmion (“One Word Macbeth” and “Birthin’ Baby”)
Youth Encouragement Award – Female: The Cast of “One Word Macbeth”

THE NOMINATIONS
Best Production: “One Word Macbeth” and “This Almost Joy”
Best Director: John Jennings (“One Word Macbeth”)
Best Female Lead: Imogen Martin (“Birthin’ Baby”)
Best Male Lead: Bruce Hardie (“This Almost Joy”)
Youth Encouragement Award: Laura Marmion (“Birthin’ Baby”)

The Adjudicator chose not to give Adjudication awards.

Congratulations to all winners and nominees, and to all for another great festival. Now we have a short break before heading down to Foster in August for the South Gippsland Festival! Stay tuned for details about dates!

And also this note to me:

We are very proud of our girls. The adjudicator noted that on your description you called it a play for 10, 12 or 14. You may wish to revise that as it is very much possible with just 5.

They smashed it. The adjudicator refused to split the Best Youth Actress Award and so gave it to them jointly. They were also nominated for Best Production. Not Best Youth Production, but in the overall category.

And the audience loved it. Festivals are very much a theatre crowd and so everyone knows what is going on which makes the ‘Tomorrow’ section so funny.

The witches.

The witches.

A great close-up of Macbeth.

A great close-up of Macbeth.

Read the rest of this entry »

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Photos (and video!) from Synergy Ensemble Theater on Long Island

Synergy Ensemble Theater on Long Island performed two of my one-minute scripts on July 18 as part of an event to show off the group’s talent to the community. Synergy performed two of my baseball pieces — DEEP INTO OCTOBER and FIREBALLER.

A man working in his backyard envisions himself playing . . . DEEP INTO OCTOBER.

A man working in his backyard envisions himself playing . . . DEEP INTO OCTOBER.

FIREBALLER deals with the curious relationship between God, dinosaurs . . . and a fast ball.

FIREBALLER deals with the curious relationship between God, dinosaurs . . . and a fast ball.

You can find more about Synergy, as well as links to previous productions of DEEP INTO OCTOBER, here.

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Fan mail from an actress in New York

For the first time, I’ve gotten fan mail! From an actress! In New York! I had several short pieces done in a festival there last month and today I got this note from one of them: “After seeing THE COW’S FAULT in the 2014 [festival], I HOPED to get cast in one of your plays and was THRILLED to be play Practical Mouse in AN UNEXPECTED CHEESE PARTY.”

She was referring to one of my entries in this year’s Gone in 60 Seconds Festival of one-minute plays; you can find a photo here.

My fan mail!

My fan mail!

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Artistic director: ‘You are quite a talent!’

I recently received a very flattering rejection letter from an artistic director in a major U.S. city (major enough to have the quadfecta of sports teams in the MLB, NFL, NBA and NHL). Technically, it wasn’t a rejection letter. I’d received that earlier in the day from someone else at the theatre. But then, quite unexpectedly, I got this from the artistic director:

“You recently submitted a number of plays to our festival and I had the pleasure of reading some of them. I really enjoy your work. To be honest, each time I’d open up a play and see your name attached to it, I’d get excited. You are quite a talent! Although I won’t be directing anything for this year’s festival, I wanted you to know that if I had, I would’ve chosen your play Olga. It’s a great piece.”

The director went on to ask if she could share the script with a friend. Naturally, I said yes!

OLGA is a 10-minute play based on Olga Romanova, a civilian who came in off the street during the 2002 Moscow theatre siege — and wound up becoming the first victim. It had a staged reading in December in New York. That script is a spin-off from my full-length script about the Moscow theatre siege, 57 HOURS IN THE HOUSE OF CULTURE. More on that show here.

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“On the Thirteenth Day of Christmas” to be produced in New Jersey

I have three full-length Christmas plays (and a fourth in progress). One of those — ON THE THIRTEENTH DAY OF CHRISTMAS — will get produced in December at First Avenue Playhouse in Atlantic Highlands, New Jersey.

Still waiting on the specific dates.

This will be the second production of that script; the first was at Santiam High School in Mill City, Oregon in December 2013. You can find a photo from that show here. That director called the show “a true gem.”

ON THE THIRTEENTH DAY OF CHRISTMAS
A wild, action-packed Christmas farce. A young woman suddenly finds herself receiving the gifts from the song “The Twelve Days of Christmas,” apparently from an unknown suitor. The play begins on the thirteenth day as she copes with the chaos outside her apartment, as neighbors demand she do something about the noisy birds and pipers and drummers. The woman hatches a plan to shoot the birds and organize the people into an impromptu Christmas parade. Chaos ensues. Cast: 13 — 7f, 3m, 3 non-gender.

So far in 2015: Read the rest of this entry »

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Photo from “An Unexpected Cheese Party” in New York

From left: Catleen Kelly, Katherine Harte DeCoux, Julie Orkis, not sure, and, as the dead mouse, Anastasia Bell.

From left: Catleen Kelly, Katherine Harte DeCoux, Julie Orkis, not sure, and, as the dead mouse, Anastasia Bell.

Here’s a photo from AN UNEXPECTED CHEESE PARTY, which was produced June 11-13 in New York as part of the Gone in 60 Seconds Festival of one-minute plays.

This involves, as you can see, a dead mouse.

I had two scripts in the New York festival, plus three in the related youth festival, and two more in the British version of the festival. You can read about all those here.

Photo courtesy of Rose Bonczek.

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Three more one-minute shows in a New York festival

I’ve got three one-minute pieces being produced in #NextGen, the youth version of the annual Gone in 60 Seconds festival of one-minute plays in New York.

Those pieces are: AN UNEXPECTED CHEESE PARTY (which is also being done in the adult version), THE FOUNTAIN OF TOO MUCH YOUTH, and THE LITTLE RED HEN THINKS BIG.

They’re being done June 12 at Brooklyn College.

AN UNEXPECTED CHEESE PARTY
Some mice found one of their fellows dead in a mousetrap. What to do, oh what to do? What else? Eat the cheese! Cast: Four, non-gender. Running time: One minute.

THE FOUNTAIN OF TOO MUCH YOUTH
An older couple drinks from the fountain of youth — but they drink too much, and of differing amounts, and so now she’s 16 and he’s 10. Cast: One teen-age girl, one pre-teen boy.

THE LITTLE RED HEN THINKS BIG
The Little Red Hen as a commodities broker. Cast: Three (one female, one male, one non-gender) or four (one female, two male, one non-gender.)

I have two pieces in the adult version — AN UNEXPECTED CHEESE PARTY and THERE ARE NO CELLPHONES IN SHAKESPEARE. So that makes five pieces in all in the New York leg of the festival. Plus I had two more done on the British side of the same festival: SLAM POETRY and THE ONLINE AFFAIR. So that makes seven!

So far in 2015: Read the rest of this entry »

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“Black Market of Memories” and “The Sandstorm” to be produced in Chicago

I’m going to have a one-act and a ten-minute play produced in Chicago. (UPDATE: This will be August 22.)

Otherworld Theatre is holding its PARAGON Science Fiction and Fantasy Play Festival later this year. Today I get this word: “We are pleased to inform you that your plays Sandstorm and Black Market of Memories have been selected to be two of 40 plays performed in our upcoming PARAGON Science Fiction and Fantasy Play Festival. We were flooded with over 200 wonderfully creative play submissions and yours stood out among the very best.”

This will be the second production of THE BLACK MARKET OF MEMORIES:

THE BLACK MARKET OF MEMORIES
A young woman wakes up in a strange place — and discovers she’s had her memories stolen. Now that doctors have devised a way to transplant memories, there’s a lively market for memories — and a black market of stolen ones. The woman shares a recovery room with another woman, who specializes in “customizing” memories — doing things for rich donors that they’d never do themselves, but would like to remember doing. A dark, serious piece, which is carried primarily by the two women; the other characters appear only intermittently. Cast: Five — one male, two female, two non-gender. Running time: Twenty five minutes.
* Produced by End Times Productions, New York, N.Y., July 2011.

This will be the first production of THE SANDSTORM:

THE SANDSTORM
A dark vision from the last days of Mars. A local official in charge of building canals instead diverts some of the money to build an underground library to store his civilization’s artifacts because he knows Mars is doomed. Cast: Two non-gender. Running time: Seven or eight minutes.

So, that means in the span of just three days, I’ve scored productions in New York, Chicago and Minnesota.

So far in 2015: Read the rest of this entry »

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“The Sky Is Falling” to be produced in Minnesota

My ten-minute play THE SKY IS FALLING will be produced July 16 in Mankato, Minnesota.

This will be part of the Picnic in the Park Local Talent Variety Show, an annual event which this year includes: “New to Picnic is a “Youth Training Workshop” where youth, ages 11-18, can explore all aspects of produucing a short, 10-minute play.Experienced adult mentors from Merely Players Community Theatre (Seth Rausch, Breanna Boyce) and Mankato Mosaic Theatre Company (Jen Potocnik) will work with these youth.”

This production came completely out of the blue. Usually I go submitting scripts to theaters. Here, one came to me. Program director Elaine Hardwick asked some local theaters for appropriate scripts; one of them was a place where I had submitted . . . and so she contacted me.

This will be the second production for this script:

THE SKY IS FALLING

Two squirrels conduct an experiment, dropping things off a powerline. The result: Chicken Little gets hit on the head and thinks the sky is falling. Comedy — and a rap song — ensue. Cast: Five – 1 male, 1 female, 3 non-gender. Running time: Ten minutes.
* Produced by Piano Fight Productions, Marin County, California, September 2014.

I never got any photos from the previous production but do have this publicity photo.

So far in 2015: Read the rest of this entry »

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