Posts Tagged royalty-free script

Another review for ‘The Debate At Bosworth Field’

My 10-minute play THE DEBATE AT BOSWORTH FIELD just got a very nice review on the New Play Exchange:

“I had the pleasure of seeing this play performed three times at a recent festival in Manchester England where my play was also being produced. This hilarious, absurdist play had the English audience laughing non-stop. I love these kind of plays that take literary characters out of context. We see Richard the III with new eyes while enjoying the familiarity of his history. Mr. Yancey skillfully builds the comedy to the perfect final line.”
— Arianna Rose

Here’s a previous review from Rachael Carnes.

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‘Waiting on the 10:15’ in Lansing, Michigan

Quinn Thomas Kelly and Ny’kieria Blocker. Not sure which one is Melissa and which one is Paige. All photos courtesy of Jeff Croff.

The undertaker arrives to supervise.

Eight times in the past 12 years, I’ve been a writer in the Overnight Sensations 24-hour play festival in Roanoke that Hollins University and Mill Mountain Theatre produce each summer. A few weeks ago, I saw where Ixion Ensemble in Lansing, Michigan was holding a 24-hour play festival and were looking for writers. I emailed to apply, citing my Overnight Sensations experience. They said thanks, but we’re already full. OK, no problem, moving on. Then last week they emailed me to say, oh, someone got sick and had to drop out, still available? I was. So over the weekend I took part in my first 24-hour play festival remotely.

About 10:30 Friday night I was emailed the prompts:

-Genre: Western
-Use at least one of these names: Chad, Melissa or Paige
-Words to use: Art, cheesemaking, urban and beat

Dialogue: “You can’t make me…” Or “It is if the cheese is talking”

Only real guidelines: ten minutes and you only have three actors.

By Saturday morning I had written and emailed in WAITING ON THE 10:15. I was under the impression all the teams were two women and one man, so I wrote it with two female gunfighters. Turns out my cast — randomly assigned — was two men and one woman so I’m guessing one of the guys played “Melissa.”

WAITING ON THE 10:15
Two female gunfighters appear to be ready to square off against one another in the streets of an old western town. They’re waiting on the undertaker to pronounce when it’s high noon – timed to the arrival of the 10:15 train, which is always late. We eventually learn, though, they were not gunfighters at all, but makers of cheese. Their batch of Swiss cheese hasn’t come out well, so they’re about to shoot holes in it. Cast: Three – two women, one man.
* Produced by Ixion Ensemble, Lansing, Michigan, Aug. 18, 2019, as part of a 24-hour play festival.

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Photos from staged reading of “Rhonda’s High-Class Roadkill Chili”

I held a staged reading of RHONDA’S HIGH-CLASS ROADKILL CHILI on Saturday, January 2, 2016 at Showtimers in Roanoke. Here are some photos.

Heather Sexton shows how to make a stage armadillo -- one plastic rat, one pineapple fajita, minus the fajita.

Heather Sexton shows how to make a stage armadillo — one plastic rat, one pineapple fajita, minus the fajita. And something to bind them together.

Here’s the synopsis:

RHONDA’S HIGH-CLASS ROADKILL CHILI
Rhonda has never won anything in her life, so one of her sisters persuades her to enter a chili cook-off. Since time is tight, they decide on a roadkill recipe. Meanwhile, Rhonda’s husband is putting up Christmas lights out of season, because he’s determined to win the town contest that winter. When it turns out his light display is bright enough to be seen from outer space, things get more complicated. Aliens, and comedy, ensue. Cast: Nine, although two of those are bit parts at the end. The main cast is: Three adult females, two teen or pre-teen females, two adult males, and then the two small parts are two non-gender characters, although best played as males.

Now, let’s hit the highlights: Read the rest of this entry »

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Video: “The Truth About Broccoli” at Liminal

Katerina Yancey and Jonah Woodstock performed a staged reading of my short piece “The Truth About Broccoli” at the monthly reading series at the Liminal alternative artspace in Roanoke.

The broccoli appeared as itself.

The theme, by the way, was “eat your words.”

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