Posts Tagged royalty-free play
My 10-minute play THE DEBATE AT BOSWORTH FIELD just got a very nice review on the New Play Exchange:
“I had the pleasure of seeing this play performed three times at a recent festival in Manchester England where my play was also being produced. This hilarious, absurdist play had the English audience laughing non-stop. I love these kind of plays that take literary characters out of context. We see Richard the III with new eyes while enjoying the familiarity of his history. Mr. Yancey skillfully builds the comedy to the perfect final line.”
— Arianna Rose
Eight times in the past 12 years, I’ve been a writer in the Overnight Sensations 24-hour play festival in Roanoke that Hollins University and Mill Mountain Theatre produce each summer. A few weeks ago, I saw where Ixion Ensemble in Lansing, Michigan was holding a 24-hour play festival and were looking for writers. I emailed to apply, citing my Overnight Sensations experience. They said thanks, but we’re already full. OK, no problem, moving on. Then last week they emailed me to say, oh, someone got sick and had to drop out, still available? I was. So over the weekend I took part in my first 24-hour play festival remotely.
About 10:30 Friday night I was emailed the prompts:
-Use at least one of these names: Chad, Melissa or Paige
-Words to use: Art, cheesemaking, urban and beat
Dialogue: “You can’t make me…” Or “It is if the cheese is talking”
Only real guidelines: ten minutes and you only have three actors.
By Saturday morning I had written and emailed in WAITING ON THE 10:15. I was under the impression all the teams were two women and one man, so I wrote it with two female gunfighters. Turns out my cast — randomly assigned — was two men and one woman so I’m guessing one of the guys played “Melissa.”
WAITING ON THE 10:15
Two female gunfighters appear to be ready to square off against one another in the streets of an old western town. They’re waiting on the undertaker to pronounce when it’s high noon – timed to the arrival of the 10:15 train, which is always late. We eventually learn, though, they were not gunfighters at all, but makers of cheese. Their batch of Swiss cheese hasn’t come out well, so they’re about to shoot holes in it. Cast: Three – two women, one man.
* Produced by Ixion Ensemble, Lansing, Michigan, Aug. 18, 2019, as part of a 24-hour play festival.
I’ve just learned that my short piece “A Woman’s Word Versus the Machine” won the Plebian’s Choice Award at the Subversive Theatre in Buffalo, N.Y. this summer.
Audience members voted each night on their favorites and in the end, mine emerged as the winner for the “alpha” night. (The theatre had two different shows, which alternated.) Mine was described as “a very well written little gem.”
Here’s my synopsis of the piece:
A WOMAN’S WORD VERSUS A MACHINE
A dark, serious piece about rape. A woman alleges she was assaulted by her household robot. But the company claims it was not a fault of product design. Cast: Two — one male, one female. Running time: Five minutes.
• Staged reading at No Shame Theatre, Roanoke, Va., spring 2012.
(I had a previous post about other work I’ve had at Subversive here.)
This is the second time this year one of my works has been voted an audience favorite. In June, my 10-minute script “Follow The Money: A Modern-Day Fairy Tale” was voted the audience choice at the New Voice Theatre Festival in Charles Town, West Virginia.
Suffice it to say this dark piece about a woman raped by a robot is very different from a frothy little piece about the tooth fairy.