Posts Tagged 24-hour play festival
Eight times in the past 12 years, I’ve been a writer in the Overnight Sensations 24-hour play festival in Roanoke that Hollins University and Mill Mountain Theatre produce each summer. A few weeks ago, I saw where Ixion Ensemble in Lansing, Michigan was holding a 24-hour play festival and were looking for writers. I emailed to apply, citing my Overnight Sensations experience. They said thanks, but we’re already full. OK, no problem, moving on. Then last week they emailed me to say, oh, someone got sick and had to drop out, still available? I was. So over the weekend I took part in my first 24-hour play festival remotely.
About 10:30 Friday night I was emailed the prompts:
-Use at least one of these names: Chad, Melissa or Paige
-Words to use: Art, cheesemaking, urban and beat
Dialogue: “You can’t make me…” Or “It is if the cheese is talking”
Only real guidelines: ten minutes and you only have three actors.
By Saturday morning I had written and emailed in WAITING ON THE 10:15. I was under the impression all the teams were two women and one man, so I wrote it with two female gunfighters. Turns out my cast — randomly assigned — was two men and one woman so I’m guessing one of the guys played “Melissa.”
WAITING ON THE 10:15
Two female gunfighters appear to be ready to square off against one another in the streets of an old western town. They’re waiting on the undertaker to pronounce when it’s high noon – timed to the arrival of the 10:15 train, which is always late. We eventually learn, though, they were not gunfighters at all, but makers of cheese. Their batch of Swiss cheese hasn’t come out well, so they’re about to shoot holes in it. Cast: Three – two women, one man.
* Produced by Ixion Ensemble, Lansing, Michigan, Aug. 18, 2019, as part of a 24-hour play festival.
For the eighth time in 12 years, I was one of the writers in Overnight Sensations, a 24-hour play festival organized by the Hollins University Playwright’s Lab and Mill Mountain Theatre. I drew dream play in a furniture factory with a specific line of dialogue from Shakespeare. What I came up with: A drifter seeks overnight accommodations in an abandoned furniture factory. He blows some notes on a saxophone, which makes pieces of furniture come to life — and they want to perform Hamlet. Conveniently, Hamlet mentions a bed, a table, a couch, a desk and a table, so everyone has a part in A COUCH FOR LUXURY AND DAMNED INCEST. Here’s how it all went down:
Here are photos from THEY ALWAYS BLAME THE SNAKE, my entry in the 2017 edition of OVERNIGHT SENSATIONS, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. My prompts: The reptile house, a farce, and the theme “do you trust them or do you not want to suspect them?”
The result: Two bumbling criminals break into the reptile house, having tried to smuggle cocaine into the country in the belly of a snake shipped to the zoo. Instead, they find a DEA agent inside.
These photos come courtesy of Dan Smith and Susan K.
More photos and details below.
MY OVERNIGHT SENSATIONS HISTORY:
2007: “Stuck on You,” a farce about a glue gun gone bad at a prom.
2010: “A Vampire Soap Opera,” which is pretty much what it sounds like.
2011: “Strong As a Bull,” a horror piece about steroids and baseball — in the 1800s.
2012: “The Keys To the Universe Next Door,” a science fiction horror story about a woman trapped in an alternative universe.
2016: “The Zookeeper’s Arm,” about a murder in the zoo.
More from 2017:
Preparation and such explained here.
Some of the responses I got:
“Your play was my favorite.”
— Celie H.
“Loved your piece.”
— Sherilyn L.