Archive for category Reviews
British critic calls my work “absolutely fantastic” and “all-around brilliance”
Posted by Dwayne Yancey in News, Photos, Productions, Reviews, Uncategorized, Video on July 24, 2014
The Congleton Players in Congleton, England produced my short one-act REVENGE IS SWEET WITH A SLIGHT AFTERTASTE OF IRONY on July 18. It was one of five scripts out of 211 submitted to make the cut for the group’s annual festival.
If that’s not honor enough, theatre critic D.C. Wood had exceptionally kind words to say about my work. You can hear them for yourself in this video — they start at the 6:47 mark. You can also see photos from my show, and others.
Among the things the critic had to say:
* “This was all-around brilliance.”
* “Absolutely fantastic.”
* “Dwayne Yancey wrote a genuinely witty and sharp script.”
He ranked my show one of his two favorites — “it was so close, it could have gone either way” — and said he loved it so much “I personally don’t have any criticism of this play.”
In the end, the audience vote for best in show went to yet a different script. (Details on that about the 15-minute mark.)
Here’s the synopsis of the script:
REVENGE IS SWEET WITH A SLIGHT AFTERTASTE OF IRONY
A famous food critic visits a restaurant. The manager wants desperately to please him; the chef wants revenge. Dark comedy and slapstick ensues. Cast: Six — four male, two female. Running time: Fifteen minutes.
Thanks, Congleton!
You can find a more or less complete list of my productions this year here.
Here are the still photos from the show:
A famous food critic shows up at a restaurant, much to the chagrin of the staff.
Comedy ensues.
The end.
New York actor praises my work as “complex, beautifully structured”
Posted by Dwayne Yancey in News, Reviews, Uncategorized on June 19, 2014
From Facebook!
While taking my morning walk last Saturday, I came upon a startling sight: A hornet’s nest lying in the road, brought down by a storm the previous.
Thankfully, this was an old nest, unoccupied for some time. (I’d been keeping an eye on it as I walked under it each morning, just to be sure.)
Naturally, I did what everyone does these days. I took a picture of it with my phone, and zapped it out to Instagram, Twitter and Facebook. On the latter, it produced much chatter, including this high praise from a New York actor I know: “Hornet nests seem an apt metaphor for your plays: complex, beautifully structured, fascinating and vaguely dangerous. Although I’ve never found hornet nests to be as funny as I find your writing. Hornets need to work on that.”
As I note in the screen capture, hornet’s nest figure in both THE BALLAD OF ALEJANDRO LOPEZ and SOFTBALL IS LIFE. In the former, a young boy’s pitching prowess is discovered when he hurls a rock through a hornet’s nest. In the latter, a high school principal tries to solve two problems at once — the softball coach refuses to recognize a girl’s throwing skills, and the neighboring landlord refuses to remove a hornet’s nest near the school grounds. You can probably guess how that goes.
Here’s the nest, if you’re curious:
A hornet’s nest, fallen from the sky! Or, at least a tree.
“The Ring” takes second place in audience vote at Wisconsin festival
Posted by Dwayne Yancey in News, Productions, Reviews, Uncategorized on May 21, 2014
My one-act, THE RING, took second place in the audience vote at the annual one-act festival put on by The Haylofters in Burlington, Wisconsin.
Thanks, Wisconsites!
THE RING is one of several sports plays for women I have. (The full-length SOFTBALL IS LIFE is another, so is the one-act POWDER PUFF, about football, along with several baseball-themed pieces that run about five minutes or less.)
THE RING
Sixty years after a close call in a state championship girls basketball game, the star of the losing team still can’t reconcile herself to losing — so she breaks into the home of the star player on the winning team, hoping to steal her championship ring. A poignant story about regrets and sportsmanship. Cast: Two senior females.
A five-minute version of this script is being performed later this month at the Newburgh Free Academy in Newburgh, New York. Here’s some background on the origin of both scripts.
Last year, I had two scripts take first place in audience votes at festivals. FOLLOW THE MONEY: A MODERN FAIRY TALE took the prize at the New Voice Play Festival in Charles Town, West Virginia while A WOMAN’S WORD VERSUS A MACHINE won an audience vote at the Subversive Theatre in Buffalo, New York.
Director praises “The One-Word Macbeth” as “one of the funniest things I have read”
Posted by Dwayne Yancey in News, Reviews on February 10, 2014
I have a series of scripts in which I have taken classic works — usually by Shakespeare — and rendered them into scripts in which each character speaks a line of just one word.
The opening of “The One Word Macbeth” reads like this:
WITCH ONE: Thunder!
WITCH TWO: Lightning!
WITCH THREE: Rain!
WITCH ONE: Meeting!
WITCH TWO: Who?
WITCH THREE: Us!
WITCH TWO: Time?
WITCH ONE: Sunset!
WITCH TWO: Battle?
WITCH THREE: Finished!
WITCH TWO: Location?
WITCH ONE: Heath!
WITCH TWO: Subject?
WITCH THREE: Macbeth!
WITCH TWO: Ah!
WITCH ONE: Fair!
WITCH TWO: Foul!
WITCH THREE: Foul!
WITCH ONE: Fair!
A prospective director recently read this script (and a few others) and sent this praise:
“I’m pretty sure that One Word Macbeth is one of the funniest things I have read. So much so that I immediately handed it over to my stage manager with the instruction “You need to read this.” Then I just sat and watched her read it and laugh. (She agrees it’s hilarious!) I would LOVE to see the other ones. I just picture how it would play out on stage and it makes me happy. Also, I loved Hamlet Goes to Hollywood. So great!”
I’m hoping to get a production (or two) out of this.
“On the Thirteenth Day of Christmas” called “a true gem”
Posted by Dwayne Yancey in News, Productions, Reviews, Uncategorized on December 17, 2013
One of my Christmas plays, “On the Thirteenth Day of Christmas,” was produced last week in Oregon at Santiam High School in Mill City.
This marks my sixth full-length script to be produced.
Director Bill Brown sends this account (and promises photos soon):
“It went very well. Many people commented on how funny the show was and all thoroughly enjoyed it . . . Thank you for the awesome opportunity to “test out” On the 13th Day of Christmas for you. It is a true gem.”
I have a synopsis — plus a list of my other full-length scripts that have been produced — here. As “On the Thirteenth Day of Christmas” is unpublished, it remains available royalty-free.
“57 Hours in the House of Culture” called “well-crafted” and “compelling”
Posted by Dwayne Yancey in News, Reviews, Uncategorized on November 19, 2013
Just got one of the nicest rejection letters ever, this from a theatre in . . . well, let’s just say somewhere in the United States.
This was in reference to my full-length script “57 Hours in the House of Culture,” about the Moscow theatre siege.
And I quote:
“I did want to let you know that out of the 200 submissions we considered, 57 Hours in the House of Culture made a very strong impression and stayed on our shortlist until close the very end. It is a well-crafted story told in a compelling manner with characters that are diverse and strong. However, due to the larger cast size along with technical elements we felt were essential to telling this story correctly, we had to pass on it this year. However, we look forward to considering it again next year, along with any other work you submit in the future.”
The show was originally produced in May 2012 at Studio Roanoke in Roanoke, Virginia. Here’s more on that production:
MORE ON “57 HOURS IN THE HOUSE OF CULTURE”:
* Video: “57 Hours in the House of Culture” at Studio Roanoke in May 2012
* Backstage graffiti from the show
* Photos from the show
* Audience reaction to the show
* Review: “It ain’t ‘Oklahoma!'”
* Congressman Goodlatte attends the show
* Review: “Most interactive show I’ve seen”
* Media interviews about the show
* The set takes shape
* Rehearsal photos
* Rehearsal begins
* The poster for the show
“A Woman’s Word Versus the Machine” wins award at Subversive Theatre
Posted by Dwayne Yancey in News, Productions, Reviews, Uncategorized on October 18, 2013
I’ve just learned that my short piece “A Woman’s Word Versus the Machine” won the Plebian’s Choice Award at the Subversive Theatre in Buffalo, N.Y. this summer.
Audience members voted each night on their favorites and in the end, mine emerged as the winner for the “alpha” night. (The theatre had two different shows, which alternated.) Mine was described as “a very well written little gem.”
Here’s my synopsis of the piece:
A WOMAN’S WORD VERSUS A MACHINE
A dark, serious piece about rape. A woman alleges she was assaulted by her household robot. But the company claims it was not a fault of product design. Cast: Two — one male, one female. Running time: Five minutes.
• Staged reading at No Shame Theatre, Roanoke, Va., spring 2012.
(I had a previous post about other work I’ve had at Subversive here.)
This is the second time this year one of my works has been voted an audience favorite. In June, my 10-minute script “Follow The Money: A Modern-Day Fairy Tale” was voted the audience choice at the New Voice Theatre Festival in Charles Town, West Virginia.
Suffice it to say this dark piece about a woman raped by a robot is very different from a frothy little piece about the tooth fairy.
Newspaper coverage of my one-act “Follow The Money”
Posted by Dwayne Yancey in News, Photos, Productions, Reviews, Uncategorized on July 26, 2013
The festival was the cover story of the Martinsburg Journal’s entertainment section, with a photo from my show as the main image.
My one-act about a kid who kidnaps the tooth fairy to find out where the money comes from — “Follow the Money: A Modern-Day Fairy Tale” — took first place in the New Voice Play Festival in Charles Town, West Virginia. (More on that here.)
The entire festival got nice press coverage from the local daily newspaper, the Journal in Martinsburg.
When I was in Charles Town for the festival, I saw some copies lying around but they were no longer available on the newsstand, so I ordered some — and here they are.
You’ll see it was a photo from my play that graced the cover of the paper’s weekly entertainment tab (above.)
And below is the two-page spread (a doubletruck, in newspaper language) on the festival: Read the rest of this entry »
“Follow the Money” wins first place at West Virginia festival
Posted by Dwayne Yancey in News, Photos, Productions, Reviews, Uncategorized on June 27, 2013
The Fairy Godmother frets about what to do with the Tooth Fairy, now that a precocious kid has tied her up to find out where she gets all her money. Photo courtesy of Old Opera House Theatre.
My one-act “Follow the Money: A Modern-Day Fairy Tale” won first place on June 23 in the 13th annual New Voice Play Festival at the Old Opera House Theatre in Charles Town, West Virginia.
Four scripts out of 85 were chosen for production; then the audience voted each night on their favorites, with the winner announced after Sunday’s finale.
Here’s some information on the script and how it came to be entered in the festival here.
The Journal, the daily newspaper in Martinsburg, W.Va., made the festival the cover story of its weekly entertainment section.
More photos below: Read the rest of this entry »
“The Kissing Consultant” wins praise in South Africa
Posted by Dwayne Yancey in News, Productions, Reviews, Uncategorized on October 13, 2012
As previously noted, my one-act “The Kissing Consultant” was produced last year by a school in South Africa — a fact I only recently became aware of. (Sometimes, play publishers take a while in reporting these things.)
I’ve since searched the ‘net and found this brief mention of the show (along with a photo) in The North Eastern Tribune, a South African newspaper.
My script, it seems, was Athlone Girls High School entry in the local one-act competition. The school doesn’t appear to have won, but s0me of the actors were commended individually. Additionally, the paper reported: “The judges commended the play for its character work.”
The script is published by Brooklyn Publishers.
dwayneyancey 