Posts Tagged Moscow theatre seige
My dark play about the 2002 Moscow theatre siege will come to life for a second time. Sweet Briar College (north of Lynchburg, Virginia) will hold a staged reading of 57 HOURS IN THE HOUSE OF CULTURE on Saturday, March 19, 2016.
I’m indebted to Sweet Briar theatre instructor Melora Kordos for arranging (and directing) this. She remembered the show from its previous production at Studio Roanoke in 2012.
The staged reading will be in the Pannell Gallery, which at that time will be hosting an exhibit called “Art For the People: Propaganda and Public Service.”
The reading is at 7:30 p.m. and is free.
You can find links about the previous production — and my 2016 production schedule below: Read the rest of this entry »
Here’s the poster for the staged reading of my 10-minute play OLGA, which will be part of a festival of short plays about women in history in New York on Sunday, December 14.
The Olga in question is Olga Romanova, the first victim of the Moscow theatre seige in 2002. I have a full-length play about that event — 57 HOURS IN THE HOUSE OF CULTURE — which was staged in Roanoke in 2012 and has come oh-so-close to being staged at two other theatre since then. (Here’s a link to more about 57 HOURS.)
This 10-minute play is not a cutting, but a spin-off that focuses on one of those characters.
This festival is put on by the Mad & Merry Company, and will be at the IRT Theatre at 154 Christopher Street #3B in Manhattan (West Village, or thereabouts) on December 14. Showtime is 7 p.m. Admission is free, but $5 donation suggested.
I’m told that space is limited, so if you’re interested in going, please email email@example.com to reserve a spot. Here’s some more on OLGA.
My ten-minute play OLGA will have a staged reading in New York in December by the Mad & Merry Theatre Company as part of the company’s Women’s Histories Festival. The show will be at the IRT Theatre at 154 Christopher Street #3B in Manhattan (West Village, or thereabouts) on December 14. (UPDATE: Showtime is 7 p.m. Admission is free, but $5 donation suggested.)
About the festival:
The Women’s Histories Festival is an incubator for new work, which will run alongside Mad & Merry’s production of Daughters of Leda at IRT this December. The goal of the festival is to bring new voices to the stage and drastically widen the spectrum of women’s voices and narratives being represented.
I’m obviously not a woman but OLGA is about one — based on the true-life story of Olga Romanova, the first victim of the 2002 Moscow theatre siege:
A look at the true story of Olga Romanova, a 26-year-old perfume clerk who came in off the street during the Moscow theatre siege of 2002 and tried to help — but got killed by terrorists instead. Cast: Eight – 3 female, 2 male, 3 non-gender. Running time: 10 minutes.
This piece is related to my full-length script about that terrorist attack, 57 HOURS IN THE HOUSE OF CULTURE, but this is a separate, stand-alone work, not a cutting.
So, here’s the latest list of my upcoming productions (and one reading):
* November 7, 8, 14, 15, 22, and 23: DEMOTING PLUTO, one-act, Short Science Play Showcase at the Explora Science Center and Children’s Museum, Albuquerque, New Mexico.
* November 9: HIT THE BOOKS, Lafayette County High School, Higginsville, Missouri.
* November 12: JENNA AND HER PRIZE-WINNING PIG CHANGE THE COURSE OF HISTORY, Lewis and Clark School District, Minot, North Dakota.
* December 2: KLAUS, staged reading in New York, as part of the Gi60 Extended Editions.
* December 6-7: THE BEAUTIFUL OGRE AND OTHER FAIRY TALES, CAN I?, CHEF PIERRE DOES NOT DO SIMPLE, and GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, by the Jeonju Players, Joenju, South Korea.
* December 19-20: LET THERE BE LIGHTS! by Mockingbird Players, Columbia City, Indiana.
And here’s a partial list of productions this year:
Here’s the archival video from the premiere of “57 Hours in the House of Culture,” my full-length play about the Moscow theatre seige.
The play was produced at Studio Roanoke in Roanoke, Va., in May, and played to good reviews and good houses. We even had a visit from our local congressman, Bob Goodlatte, R-Roanoke County.
The video is so long it’s broken into several parts, although the show ran without an intermission.
And here’s part three:
And here’s part four:
MORE ON “57 HOURS IN THE HOUSE OF CULTURE”:
* Backstage graffiti from the show
* Photos from the show
* Audience reaction to the show
* Review: “It ain’t ‘Oklahoma!'”
* Congressman Goodlatte attends the show
* Review: “Most interactive show I’ve seen”
* Media interviews about the show
* The set takes shape
* Rehearsal photos
* Rehearsal begins
* The poster for the show
Much news to report on the upcoming premiere of my full-length script “57 Hours in the House of Culture,” based on the true story of the Moscow theatre seige of 2002 where Chechen terrorists held an audience hostage.
* Charlie Boswell has agreed to direct the show. He’s directed several other things at Studio Roanoke. He helmed the very first thing done in that space, a staged reading of my one-act “The Angel of Brooklyn.” He’s since directed some of their full-length productions, including “Nobody Gets Paid,” which opens there March 7.
* Auditions for the show are set for March 24 and March 25; below I’ll copy the email that has gone out.
* Finally, there’s a poster, shown above. Sharp-eyed observers (such as myself) will notice one small error. My last name is misspelled. That’s being corrected. When there’s a new one, I’ll post it as well. That aside, it’s a marvelous poster. The artist researched the event (as did I, of course). The image is that of the actual theatre — the House of Culture of State Ball-bearing Plant No. 1. Billowing out of it are smoke and poison gas.
As you can see from the poster, the show is at Studio Roanoke May 16-27. It’s a dark, grim, spooky show, quite unlike any of my other work.
The audition release from Studio Roanoke: Read the rest of this entry »