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At least eight productions this fall, including one in India
Posted by Dwayne Yancey in News, Productions, Uncategorized on November 9, 2013
The flag of India. I’m about to have my first production there.
I have at least eight productions this fall, including my first in India!
I say “at least eight” because some of my publishers don’t report productions until after they’ve happened, so it’s likely that number is higher.
But here are the ones I do know about, which are happening in six different states and the forementioned Republic of India!
* The one-act “The Fruitcake,” a Christmas show, remains my most frequently-produced script. It’s published by Brooklyn Publishers these four productions will take me up to the 40th production mark:
— Patrick Henry Academy, Estill, South Carolina, Oct. 29
— McCool Schools, McCool Junction, Nebraska, Nov. 1
— New Underwood School District, New Underwood, South Dakota, Nov. 23
— Mitchell High School, Mitchell, Nebraska, Nov. 26.
* The one-act “Hit the Books” continues to climb up the charts. It’s published by Eldridge Plays and Musicals and these two productions will be the 13th and 14th of this script:
— Milestone Public School, Milestone, Montana, Nov. 23
— Catholic Central High School, Burlington, Wisconsin, Dec. 14
* The hour-long one-act “Macbeth Goes Hollywood” is my second most-production script. It’s also published by Eldridge Plays and Musicals and this production will be the 26th production — and my first in India.
— Pathways School Gurgaon, Gurgaon, India, Nov. 16. (This is on the outskirts of New Delhi.)
That won’t be my first production in Asia, though. Earlier this year, a group in Singapore produced another of my one-acts, “Mac and Beth.” It also was a Shakespeare spoof, perhaps underscoring how much Shakespeare is a universal language.
On another note, I’m struck again by how many productions I get in the Upper Midwest.
Finally, as previously noted, one of my full-length scripts is scheduled for production in December in Oregon — “On the 13th Day of Christmas” at Santiam High School in Mill City, Oregon. That will be the first production of that script, but will be the sixth full-length script I’ve had produced.
Note that all these one-acts have been published, so royalties are involved. But impoverished directors take note, I have many more scripts that are unpublished and I allow those to be produced royalty-free. Here’s why.
F0r more on these and all my other scripts, see the scripts category.
Video: “The Truth About Broccoli” at Liminal
Posted by Dwayne Yancey in News, Uncategorized, Video on October 28, 2013
Katerina Yancey and Jonah Woodstock performed a staged reading of my short piece “The Truth About Broccoli” at the monthly reading series at the Liminal alternative artspace in Roanoke.
The broccoli appeared as itself.
The theme, by the way, was “eat your words.”
Audio: Seven of my pieces on Falcon Radio Theatre
Posted by Dwayne Yancey in Productions, Radio plays, Uncategorized on October 22, 2013
Falcon Radio Theatre at Seattle Pacific University ended its run on May 21, 2013 with a grand finale that included seven of my pieces.
Specifically:
* “The Liberal Arts Pirates”
* “Occupations”
* “Zucchini Are Planning to Take Over the World”
* “God and the Devil Meet for a Business Lunch”
* “If Cats Had Lawyers”
* “Damsel Not in Distress”
* “Somewhere Tonight the Last Washington Senators Game Still Plays On.”
“Occupations” is a one-act; “God and the Devil” and the “Washington Senators” are ten-minute scripts; the rest weigh in at about five minutes.
The audio has just now gone online, and here it is.
“A Woman’s Word Versus the Machine” wins award at Subversive Theatre
Posted by Dwayne Yancey in News, Productions, Reviews, Uncategorized on October 18, 2013
I’ve just learned that my short piece “A Woman’s Word Versus the Machine” won the Plebian’s Choice Award at the Subversive Theatre in Buffalo, N.Y. this summer.
Audience members voted each night on their favorites and in the end, mine emerged as the winner for the “alpha” night. (The theatre had two different shows, which alternated.) Mine was described as “a very well written little gem.”
Here’s my synopsis of the piece:
A WOMAN’S WORD VERSUS A MACHINE
A dark, serious piece about rape. A woman alleges she was assaulted by her household robot. But the company claims it was not a fault of product design. Cast: Two — one male, one female. Running time: Five minutes.
• Staged reading at No Shame Theatre, Roanoke, Va., spring 2012.
(I had a previous post about other work I’ve had at Subversive here.)
This is the second time this year one of my works has been voted an audience favorite. In June, my 10-minute script “Follow The Money: A Modern-Day Fairy Tale” was voted the audience choice at the New Voice Theatre Festival in Charles Town, West Virginia.
Suffice it to say this dark piece about a woman raped by a robot is very different from a frothy little piece about the tooth fairy.
Video of “Fishing for Men” at Gone in 60 Seconds Festival
Posted by Dwayne Yancey in Productions, Uncategorized, Video on October 1, 2013
Here’s the video of my short piece “Fishing for Men,” as performed in this year’s Gone in 60 Seconds Festival of one-minute plays at Brooklyn College in New York.
This is not to be confused, of course, with the short film version of the same piece.
I also have still photos from the same production.
Video: “Fishing for Men”
Posted by Dwayne Yancey in Uncategorized, Video on September 30, 2013
In June, my short (and dark) piece “Fishing For Men” was performed in the annual Gone in 60 Seconds Festival of one-minute plays in New York. (You can find performance photos here.)
Producer Rose Bonczek asked if it would be OK if she had the piece turned into a short film to enter in the MSN/New York Television Festival Short Form Storytellers Challenge.
Naturally, I said “yes.”
Here’s the result. We didn’t win, alas, but I still like the film.
Earlier, I posted photos from the filming.
Anthony Ponzio was the director; Galyn Clarkson-Farrell was the crew.
Mickey Hart and Collin McConnell were the actors.
Audio of “Catch of the Day” on Falcon Radio Theatre
Posted by Dwayne Yancey in Productions, Radio plays, Uncategorized on September 30, 2013
The radio station at Seattle Pacific University produced my one-act “Catch of the Day” as a radio play on April 23, 2013.
The audio is just now becoming available.
On that same show, Falcon Radio Theatre also produced one of my five-minute scripts, “Zucchini Are Planning to Take Over the World.”
CATCH OF THE DAY
A nervous mother is preparing to entertain her daughter and the daughter’s new boyfriend. She’s eager for the match to succeed. She’s instructed her husband to pick up some fish on the way home for dinner; he mistakenly acquires a fugu, a type of fish prized as a delicacy in Japan — but which is also highly poisonous, if improperly prepared. Naturally, the woman succeeds in poisoning the daughter and her boyfriend — sending them into a trance. Comedy ensues, while the pair are frozen in position through part of the play. Cast: Two males, two females. Running time: 30 minutes.
Here’s a list of audio to some of the other pieces I had on Falcon Radio Theatre:
* “The Angel of Brooklyn” (one-act)
* “Lucy” (one-act)
* “God and the Devil Meet for a Business Lunch” (ten-minute script)
* “Somewhere Tonight, the Washington Senators’ Last Game Plays On” (ten-minute script)
* “Cat and Dog” (five-minute script)
* “If Cats Had Lawyers” (five-minute script)
* “The Last Day of School” (five-minute script)
* “The Liberal Arts Pirates” (five-minute script)
* “The Secret Lives of Goldfish: Breakout!” (five-minute script)
* “The Secret Lives of Goldfish: Pirates!” (five minute script)
* “The Viking Funeral of Harold Olafson” (five-minute script)
Falcon Radio Theatre also did my one-act, “Occupations,” but there doesn’t seem to be audio available of it.
“Requiem for a Buzzard” is reprised in Ontario
Posted by Dwayne Yancey in News, Photos, Productions, Uncategorized on September 27, 2013
Photo by Paddy Gillard-Bentley
My short piece “Requiem for a Buzzard” was produced this summer in Kitchener, Ontario as part of the Asphalt Jungle series. It’s an annual festival of outdoor theatre, in which the audience is taken on a walk around downtown and encounters short pieces of theatre at various venues.
The group is now holding a 10th anniversary festival — a “best of” its first decade, and I was honored to have “Requiem for a Buzzard” included. Artistic Director Paddy Gillard-Bentley shares this photo of the audience as it assembles at the staging point for my piece.
MORE ON THE BUZZARD PIECE:
* Photos from the June production
* Poster for the June production
REQUIEM FOR A BUZZARD
What do buzzards do when one of their own becomes roadkill? They say a few words of remembrance, then they eat him. Cast: Three, non-gender, but perhaps best as two male, one female.
This is one of many short pieces I have which are available royalty-free.
UPDATED: Here are some more photos from Paddy of the actual performance:
Video: “Thirty Years of Bitterness on the Tongue” at Liminal
Posted by Dwayne Yancey in Photos, Uncategorized, Video on September 27, 2013
Mike Allen and Heather Brush
The Liminal alternative artspace in Roanoke holds a regular reading series. The theme for this month was the Equinox, for which anything autumnal would do, we were told. Almost everybody else brought pieces about the fall and the changes of seasons.
I brought a piece about football. A very loud piece, in which Mike Allen played a high school football coach and Heather Brush was the school principal.
Here’s a photo from “Thirty Years of Bitterness On The Tongue.”
THIRTY YEARS OF BITTERNESS ON THE TONGUE
A coach attempts to motivate his high school players by making them drink vinegar — to know what the taste of defeat is like. Cast: One male, one non-gender. Running time: Five minutes.
* Staged reading at No Shame Theatre, Roanoke, Va., Sept. 4, 2010.
* Staged reading at Liminal alternative artspace, Roanoke, Va. Sept. 23, 2013.
UPDATED: And now here’s the video from the event:
In praise of Lynchburg’s theatre scene
Posted by Dwayne Yancey in News, Uncategorized on September 24, 2013
Lynchburg, Virginia is only about an hour from my home in the Roanoke, Valley. But sometimes it seems to be an entirely different world. It’s been 21 years since I’ve had reason to go to downtown Lynchburg. Last Friday, though, my wife and I went there to see some friends in “The Full Monty” at Renaissance Theatre.
I was completely blown away by what I saw there, which prompted this guest post on The Roanoke Times’ arts blog about what seemed a very lively theatre scene in Lynchburg.
As I point out in the post, not only was it a full house — but it was a young full house!
Read on for more . . .
dwayneyancey 