Posts Tagged royalty-free scripts

Photos from staged reading for “Revenge of the Fairy Queen”

Katerina Yancey (left) as Oberon, transformed into a multi-creature beast. Photo by Bobbie Daniels.

In June 2018, I held a private staged reading for my script REVENGE OF THE FAIRY QUEEN. Dylan Kennedy Grey directed at the Bower Center for the Arts in Bedford, Virginia.

I have two wonderful photo galleries from this — one from Bobbie Daniels and one from, well, um, me. Hers are better.

REVENGE OF THE FAIRY QUEEN
The unauthorized sequel to Shakespeare’s “Midsummer Night’s Dream.” Titania realizes that Oberon has duped her into falling in love with a mortal transformed into an ass. Furious, she plots revenge, to be carried out on Midwinter’s Day. Her plot, though, goes awry and many complications ensue. Cast: 12 – 4 female, 5 male, 3 non-gender.

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“Just Another Day At The Office” wins a prize

An unexpected award.

An unexpected surprise arrived in the mail recently: My one-act play JUST ANOTHER DAY AT THE OFFICE won top honors at an April festival of staged readings in Middleburg, Virginia sponsored by Shakespeare In The Burg.

Here’s video of the actual reading.

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Praise for “The Face on Mars” in London

In May, Horatio Theatre in London, UK produced my short play THE FACE ON MARS as part of a three-day festival of short science fiction plays. Here’s a note from the producer:

“Courtney Larkin tackled the bottomless depths of Dwayne Yancey’s imaginative and sharp script, and made it into a clean, dry, and twisted piece of wonderful stagecraft. It was uncomfortably funny, and it perfectly mirrored many of the things we hate about the world around us. The twist, unexpected as it was, was sold to perfection by Lindsey Huebner and Martin Lomas. After watching them, I really want to know more about that martian civilisation, that society that disappeared millions of years before we even existed.”

The script was previously produced in Connecticut. No photos from London but do have some from Connecticut.

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Nine short plays produced in Maryland

“A Vampire Soap Opera”

“A Vampire Soap Opera”

“Damsel Not in Distress”

“Damsel Not in Distress”

Radcliffe Creek School in Chestertown, Maryland produced nine of my short plays in May — two ten-minute scripts and seven that run about five minutes. Of note: One of those 10-minute plays is “A Vampire Soap Opera,” which I wrote in 2010 as part of the annual 24-hour play festival Overnight Sensations in Roanoke, Virginia produced by Hollins University and Mill Mountain Theatre. I’ve participated in maybe a half dozen of those festivals; each time I try to write a script that I think will have a life beyond that particular festival. This, though, is the first time I’ve actually had one of those scripts go on to a second life.

More photos below.

Read the rest of this entry »

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“Sometimes Elephants Die Standing Up” in Peeskill, New York

Peeskill High School in Peeskill, New York produced my 10-minute play SOMETIMES ELEPHANTS DIE STANDING UP on June 4, 2018. Terry Sandler shares these photos.

Two circus workers try to monetize a dead elephant.

Hilarity ensues.

More photos below. Read the rest of this entry »

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Video from the 2018 Gone in 60 Seconds Festival in Leeds, UK

I had two pieces in the 2018 edition of the Gone in 60 Seconds Festival of one-minute plays in Leeds, Great Britain: THREE POSSUMS AT THE BAR and MERMING. The former comes up at the 42:41 mark, the latter at 57:35.

You can find the poster here and the 2017 festival here.

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Video from the 2017 Gone in 60 Seconds Festival, the UK edition

I had three pieces in the 2017 edition of the Gone in 60 Seconds Festival of one-minute plays in Leeds, Great Britain: TWO SQUIRRELS ON A POWERLINE, NOBODY EVER ASKS ME and THE SCIENCE FAIR PROJECT.

Here, at last, is the video from that show.

You can find photos from my three pieces here.

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Photos from “The Monkey At the Wedding” in Texas

Louis Antonelli shares these photos from the recent production of my one-act THE MONKEY AT THE WEDDING by Red River Revue in Clarksville, Texas in early May.

Yes, the monkey really is a character.

Biker dude and dudette.

More photos here.

This script was previously produced at a high school in Massachusetts in 2015 where it won four awards.


THE MONKEY AT THE WEDDING

A wedding goes afoul when the ringbearer — a monkey — swallows the ring. Chaos, and comedy, ensues. Features a motorcycle gang, and someone in a monkey suit. Cast: 12 or 13 — 5 male, 5 or 6 female, 2 non-gender. Running time: 30 minutes

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Backstage photos from “This Rose Has Thorns” in Australia

Finally got around to downloading photos from my OTHER camera that I took to Australia to see the premiere of my play THIS ROSE HAS THORNS.

The cast and crew . . . and a visiting playwright.

Director John Smith talks to the cast.

This was one of the most amazing sights I’ve seen: The cast gathers before the show for a pre-show rally, led by actor Nick Sidari (somewhere in the center of this scrum).

Lots more backstage photos here.

More on THIS ROSE HAS THORNS:

* Review: Shakespeare Oz likes “This Rose Has Thorns”

* Photos from the show

* Meet the cast and crew

* Rehearsal photos

* Photos from first read-through

* New poster for THIS ROSE HAS THORNS

* First round of posters

* Cast list for the show

* Amazing audition poster

* First international production of a full-length script announced

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“Spirits From the Vasty Deep” is semi-finalist at American Shakespeare Center

Curtain call for the invitation-only staged reading.

The American Shakespeare Center in Staunton, Virginia has launched what it bills as a 20-year project to find “companion pieces” to each of Shakespeare’s 38 plays. Every six months or so, the center will announce four plays for which it is seeking companions. The first round was announced last year — with the eligible plays being COMEDY OF ERRORS, MERRY WIVES OF WINDSOR, THE WINTER’S TALE and HENRY IV, PART 1.

I chose to compete in the HENRY IV, PART 1 category. Out of that challenge, I decided to tell the story of one of Shakespeare’s minor characters — the Welsh nationalist leader Owen Glendower. Glendower appears in just one scene, where Shakespeare portrays him as a wild barbarian with mystical leanings — he talks of summoning “spirits from the vasty deep.” In fact, Glendower was a cultured man for his age. One notable fact: He taught his daughters to read, which was not common for that era. Another: He was a patron of the arts, who kept a retinue of poets and musicians at his Welsh estate. He was also briefly king of Wales — Prince of Wales was the title he preferred — in a nationalist uprising that succeeded for time, until finally being crushed by Henry IV.

To prepare my script SPIRITS FROM THE VASTY DEEP — but adhere to the ASC rules forbidding prior productions — I held an invitation-only staged reading in September 2017. Mill Mountain Theatre graciously provided the free space, and Linsee Lewis signed on as director.

The good news: SPIRITS FROM THE VAST DEEP was a semi-finalist. The not-so-good news: It did not win. However, the world now has a new play about Owen Glendower. Here are photos from that secret staged reading.

SPIRITS FROM THE VASTY DEEP
In Shakespeare’s Henry IV, Part 1, one scene depicts Owen Glendower, a Welsh nationalist leader who led a rebellion against the English crown. In Shakespeare’s play, Glendower was depicted as a mystical barbarian who claimed he could call “spirits from the vasty deep.” In fact, Glendower was a cultured man – a lawyer who had served the English king and was known for keeping a retinue of poets and musicians at his estate in Wales. This play looks at some of the events of Henry IV, Part 1 from Glendower’s perspective. The story as told here follows actual historic events but, for dramatic purposes, conflates many of them and omits others, just as Shakespeare himself did. For instance, Glendower had many children. For dramatic purposes, this script just shows three. Glendower was eventually defeated, but never captured. Welsh legend holds that his shade still walks the hills, waiting to return. That’s the premise that animates “Spirits From The Vasty Deep,” as the ghost of a poet and musician who had been in his service take a modern-day newsboy back in time to introduce him to Glendower.
Cast: 12 — 5 male, 3 female, 4 gender-flexible.

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