Playwright’s son signs to play college baseball

Front row: Coach Harry Falls, Dwayne Yancey, Keith Yancey, Katerina Yancey. Back row: James River High School teammates.

Front row: Coach Harry Falls, Dwayne Yancey, Keith Yancey, Katerina Yancey. Back row: James River High School teammates.

If you’re wondering where a lot of my baseball-related scripts come from, here’s a partial answer: My son, Keith Yancey, plays for James River High School in Buchanan, Virginia.

Today, the school held a signing ceremony for him and four other classmates who are going on to play college sports.

Keith has signed with Bluefield College. He plays third base. You can find video of him in action here.

More on baseball scripts to come . . .

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Two scripts to be produced in Canadian festival (and other news)

flushink
I have more productions to report.

I learned this week that two of my short scripts (five minutes or less) will be produced in June as part of the Asphalt Jungle Shorts festival in Kitchener, Ontario.

This is a unique festival, staged by Flush Ink Productions, in which all the productions are site-specific. I gather that patrons buy a ticket and then are escorted on a walking tour of downtown Kitchener, where they encounter pieces happening . . . on sidewalks . . . on park benches . . . in coffee shops . . .or in bars.

My two pieces in this festival (which happens June 6-15) are “Pandora and Schrodinger: What’s in The Box?” and “Requiem for a Buzzard.” I’m guessing the first one is a park bench piece and the other might be a sidewalk piece. (Descriptions are below.)

I love the idea for this festival; I only wish I could be there to see in action! I previously had a piece (“A Nice, Relaxing Cup of Tea”) in the 2009 installment.

Falcon Radio Theatre airs Tuesday nights at 6 p.m. Pacific Standard Time on kspu.org

Falcon Radio Theatre airs Tuesday nights at 6 p.m. Pacific Standard Time on kspu.org

Meanwhile, Falcon Radio Theatre at KSPU in Seattle continues to produce some of my work as radio plays.

On April 16, the station (affiliated with Seattle Pacific University) produced “Damsel Not in Distress” and “The Viking Funeral of Harold Olalfson.”

On April 23, it was “The Last Day of School.”

Here’s a description of each show, with a notation about previous productions (if any): Read the rest of this entry »

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Nine scripts produced in six states (plus Singapore) so far this spring

"Hit the Books" is published by Eldridge Plays and Musicals.

“Hit the Books” is published by Eldridge Plays and Musicals.

Falcon Radio Theatre airs Thursday nights at 7 p.m. Pacific Standard Time on kspu.org

Falcon Radio Theatre now airs Tuesdays at 6 p.m. Pacific Standard Time on kspu.org; note new time.

It’s the spring play season at high schools around the country. Between them — and Falcon Radio Theatre in Seattle getting back on the air after a brief absence — I can tally up the following:

So far this spring, I’ve had nine scripts produced in five  states — and Singapore! — with another script scheduled to be produced in a sixth state later this spring.

(If you’re scoring at home, those six states are Maryland, Montana, Oregon, Wasington, Wisconsin and Virginia.)

Keep in mind that some play publishers alert me ahead of time to productions; others don’t until they have to pay royalties later in the year, so it’s quite possible that some scripts are getting done this spring that I won’t know about until later.

Here’s a run-down of what I know so far:

* “Big Time College Chemistry,” a five-minute comedy about how a college chemistry department would look like if it operated like a big-time college football program, was produced by Falcon Radio Theatre on April 9, 2013. It previously was done as a staged reading at No Shame Theatre in Roanoke, Va. (I’m hoping to have a link to audio of this and the other scripts done by Falcon soon.)

* “Cat and Dog,” a five-minute comedy about, well, a cat and a dog, was produced on Falcon Radio Theatre on April 2, 2013. This was the fourth time this script has either been produced outright, or had a staged reading. (It’s also the first in a series of “Cat and Dog” pieces.

* “Catch of the Day,” a one-act comedy about the exotic poisonous fish fugu (look it up!), was produced by Falcon Radio Theatre on April 9, 2013. It’s still unpublished, so remains one of the scripts that is available royalty-free. (I explain how and why here.)

* “The Circus Man,” a dark five-minute script, was produced by the Star City Creators Society as part of the Marginal Arts Festival in Roanoke, Va., on March 29, 2013. Brian O’Sullivan, who played Klaus in my Christmas show, and directed last year’s “57 Hours in the House of Culture,” was The Man here.

* “Hit the Books,” a one-act comedy at a student who hits herself in the head with a book and suddenly acquires all its knowledge, was produced by the Owens-Withee School District in Owen, Wisconsin on April 1, by Walkersville High School in Walkersville, Maryland on April 12 and is scheduled to be produced by Triangle Lake High School in Blachly, Oregon on May 2. It’s published by Eldridge Parks and Musicals; the Triangle Lake show will be the 11th production.

* “Mac and Beth,” a one-act in which a failed bank robbery plays out much like Shakespeare’s Scottish play, was produced by a youth group in Singapore on April 1. It’s published by Brooklyn Publishers; this was the second production of the script. Pre-publication, there was a staged reading at what is now the American Shakespeare Center in Staunton, Va.

* “Macbeth Goes Hollywood,” an hour-long one-act in which Shakespeare meets Hollywood, is scheduled to be produced by the Malta Junior-Senior High School in Malta, Montana on April 25, 2013. That will be the 25h production of that script, which is published by Eldridge Plays and Musicals.

* “The Monkey Rodeo,” a five-minute comedy about a monkey act at a minor league baseball game that goes wrong, oh so very wrong, was produced by Falcon Radio Theatre on April 9, 2013.

* “The Weird Sisters on Holiday,” a one-act in which the Weird Sisters of Macbeth fame take a trip, was produced by Medicine Lake School in Montana on March 28, 2013. That script, published by Brooklyn Publishing, has now been produced twice. Before publication, it also  had a staged reading at what is now the American Shakespeare Center.

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Video: “Buzzard Angst” at the Liminal artspace

Ashley Meador and Will Griswold, students at Community High School, perform a staged reading of my short script “Buzzard Angst” at the monthly reading series at the Liminal alternative artspace in Roanoke, Va.

This was at the March 21, 2013 reading, which dealt with “the natural world.”

Mine fits, if you consider talking buzzards natural.

This is one in a series of short pieces I have about buzzards; and I have a full-length script, still in the editing staged, called “The Talking Buzzard.”

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Two new one-acts added to my catalog

I’ve now officially added two new one-acts to my catalog. Both are royalty-free and both are suitable for high school or middle school.

Both are also riffs on a certain fairy tale:

CINDY RELLA

A modern Cinderella story, except this Cindy doesn’t want to go to the prom. Cast: Four — three females, one male.

ONE MAGIC NIGHT

The rat who was turned into a coachman to drive Cinderella to the ball in a pumpkin carriage — and then turned back into a rat at midnight — longs to recapture the glory of that one magic night. Or is he simply crazy? Cast: Seven – five females, two male.

You can find my complete list of one-acts here, and the edited version of one-acts suitable for high schools here.

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Photos: “The Ancient Texts of Love” at No Shame Theatre

The mystic ponders the ancient texts.

The mystic ponders the ancient texts.

Here are some photos of Darlene Fedele and Todd Ristau doing a staged reading of my short script “The Ancient Texts of Love” at No Shame Theatre in Roanoke, Virginia on Feb. 15, 2013. It’s a three-minute (or so) piece in which a woman seeks help from a mystic to cure her love life.

Unfortunately, the ancient text he consults is “snips and snails and puppy dog tails.”

No Shame is a weekly open-mic venue for original performance; the Roanoke one is just one of many around the country.

The mystic advises that he needs escargot. "In the vernacular, snails."

The mystic advises that he needs escargot. “In the vernacular, snails.”

The mystic's robe began its life as a Jedi costume at Halloween for my son.

The mystic’s robe began its life as a Jedi costume at Halloween for my son.

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Seattle radio station produces more of my scripts as radio plays

Falcon Radio Theatre airs Thursday nights at 7 p.m. Pacific Standard Time on kspu.org

Falcon Radio Theatre airs Thursday nights at 7 p.m. Pacific Standard Time on kspu.org

Falcon Radio Theatre on KSPU.org — affiliated with Seattle Pacific University — has been producing, well, a bunch of my scripts as radio plays.

Here are some that the group did before I started listening in.

* On January 17, 2013, Falcon produced my one-act “The Angel of Brooklyn”.

The script deals with a Brooklyn Dodgers fan who swore never again pay attention to baseball until his team was back home. Now, in his old age, an angel shows up to release him from that vow.

This was the third performance. The production history:

* Produced by Hovey Players, Summer Arts Festival, Waltham, Mass., July 2005. The Boston Globe called the show “hilarious and sweet.”
* Staged reading at Studio Roanoke, Roanoke, Va., April 2009 (the first piece ever performed in that theatre).
* Produced as radio play by Falcon Radio Theatre, KSPU, Seattle Pacific University, January 17, 2013.

* On January 24, 2013, Falcon produced my ten-minute script “God and the Devil Meet for a Business Lunch”.

This was the third time the script has been performed; the fifth if you count a five-minute cutting.

Here’s the production history:
* Five-minute version done as staged reading at No Shame Theatre, Roanoke, Va., August 2004
* Five-minute version done as staged reading at No Shame Theatre, Roanoke, Va., October 2004 as part of The Best of No Shame.
* Ten-minute version produced as video by Homespun Productions, broadcast on Channel 18, Sacramento, California, October 2005. (You can see that video here.)
* Ten-minute version performed as classroom presentation, Averett College, Danville, Va., Dec. 3, 2007.
* Produced as radio play by Falcon Radio Theatre, KSPU, Seattle Pacific University, January 24, 2013.

I have several “God and the Devil” pieces, mostly in the 5-to-10 minute range. Here’s video of “God and the Devil Debate the Issues.”

I previously posted what Falcon Radio Theatre produced of mine on January 31 (the one-act “Occupations” and a short piece) and on February 7 (the one-act “Lucy” and some shorter pieces.)

Now we’re all caught up!

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One-acts scheduled for productions in Maryland and Singapore

The spring high school play season is soon here, and I have at least two scripts scheduled for production:

* “Hit the Books,” by Walkersville High School, in Walkersville, Maryland, in April.

” Mac and Beth,” by inwardBOUND, in Singapore, also in April.

“Hit the Books” is published by Eldridge Plays and Musicals. This will be the 10th production. It’s about a high school girl who tries to study by hitting herself in the head with a book. More or less.

“Mac and Beth” is a riff on “Macbeth,” this time with two ne’er-do-well bank robbers. It’s published by Brooklyn Publishers; this will be the second full production; there was a previous staged reading at the American Shakespeare Center in Staunton, Va.

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Seattle radio station produces four more of my scripts as radio plays

Falcon Radio Theatre airs Thursday nights at 7 p.m. Pacific Standard Time on kspu.org

Falcon Radio Theatre airs Thursday nights at 7 p.m. Pacific Standard Time on kspu.org

A Seattle Internet radio station — KSPU, affiliated with Seattle Pacific University — has produced four more of my scripts as radio plays.

This is the second week in a row that Falcon Radio Theatre has done some of my work, and this time I got the whole hour.

I’m big in Seattle!

The scripts that were done  Feb. 7 were:
* “Lucy,” a one-act about the devil, that’s been previously produced in Virginia and Maine.
* “Somewhere Tonight, the Last Washington Senators’ Game Plays On,” a ten-minute play about baseball that was produced for the first time.
* “The Liberal Arts Pirates,” a five-minute piece about career counseling that was a favorite when it was first done at No Shame Theatre in Roanoke, Virginia.
* “The Secret Lives of Goldfish: Pirates!,” a five-minute piece in my series of goldfish shorts.

Here’s what Falcon Radio Theatre did last week.

You can tune in (can you still say tune in if it’s Internet radio?) on Thursday at 7 p.m. Pacific time — 10 p.m. for us East Coasters — at kspu.org.

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Video: “The Dead Horse” at the Liminal artspace

The Liminal artspace in Roanoke — attached to Community High School of Arts & Academics — hosts monthly readings. Most of the participants are short story writers, novelists, or poets — so my theatrical pieces there are definitely out of the ordinary.

At the most recent reading on January 24, I offered up two pieces, which were both performed by Community High School students.

Here are Joe Hart, Ashley Meador and DaQuan Saunders performing “The Dead Horse,” an absurdist piece of mine. This is the five-minute version; I’ve also developed it into a one-act, with a larger cast.

Thanks to Cara Modisett, the organizer, who helped round up the students.

And thanks to my wife, Katerina, for the unique prop. The dead horse here was first created as a Halloween costume for my son, Keith, many years ago. It’s put together so a small child (which is what Keith was then) could fit inside of it, with the body of the horse around him — a convenient way to both ride the horse, and still go trick-or-treating.

In more recent times, the horse has found new life as a theatrical prop. He first appeared in this piece at No Shame Theatre. As I told the kids when I showed it to them, “he knows his part.”

I’ll post video of the other piece, “Pandora and Schrodinger: What’s in the Box?” when it becomes available.

UPDATED: I realize the video doesn’t have a good view of the horse, since the horse is on the ground. So here’s the beast himself:

Horsie. From Halloween costume to valued stage prop as namesake of "The Dead Horse."

Horsie. From Halloween costume to valued stage prop as namesake of “The Dead Horse.”

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