Archive for category News
Scripts to be produced in Maryland and Oregon
Posted by Dwayne Yancey in News, Uncategorized on May 2, 2012
Two theatres have notified me recently that they’ll be producing my work in upcoming months.
The Garfield Center for the Arts at the Prince Theatre in Chestertown, Maryland will be producing my 10-minute script “The Mermaid’s Tattoo” in June. That was a theatre I had submitted to. The show dates are June 22-24 and June 29-July 1.
Meanwhile, the Post5 Theatre company in Portland, Oregon contacted me out of the blue, having found me via this very site! The e-mail from Post5 sent a brrrring through my phone just moments after my son, Keith, hit his first career home run in a high school game last week.
Post5 wanted to know if they could produce two of my 5-minute scripts as part of their intruigingly-titled program “Death/Sex: Portland,” which opens May 23 and runs through June 25. Specifically, they will said “Yvonne’s Worst Nightmare” and “Another Reason Why Yvonne Doesn’t Get Asked Out Very Much” would “fit perfectly” into their line-up of short pieces about either death or sex. Conveniently, those pieces deal with both.
We’re building a bomb!
Posted by Dwayne Yancey in News, Productions, Uncategorized on April 25, 2012
Director Brian O'Sullivan, technical director Joanna Jessee and artistic director Melora Kordos go over Joanna's set plans for my show based on the Moscow theatre siege.
It’s a good thing the FBI wasn’t listening in on our production meeting Tuesday for my upcoming show at Studio Roanoke — otherwise, the G-men would have heard us talking about, oh, how to build a bomb, and assemble a small arsenal of weapons. Including an actual AK-47.
All these, of course, are not for revolution, but for art — specifically, “57 Hours in the House of Culture,” my show about the 2002 Moscow theatre siege that runs May 16-27.
At Tuesday’s meeting, Studio Roanoke technical director Joanna Jessee showed off her sketch for what the set will look like, based on previously conversations she’s had with director Brian O’Sullivan. The plan is to recreate — in somewhat abstract form — the actual set that was in place at the House of Culture (aka, the Dubrokva Theatre) on the night that Chechen terrorists stormed the place in October 2002.
Here’s another photo from Tuesday’s production meeting. Rehearsals got underway Sunday.
Director Brian O'Sullivan, technical director Joanna Jesse, artistic director Melora Kordos and stage manager Brandon DuMonde.
Rehearsals begin for “57 Hours in the House of Culture”
Posted by Dwayne Yancey in News, Productions, Uncategorized on April 23, 2012
The cast gathers around as director Brian O'Sullivan shows a photo from the actual Moscow theatre seige of 2002, on which my show is based.
Rehearsals for the world premiere of “57 Hours in the House of Culture,” my full-length script about the Moscow theatre siege, began Sunday evening, April 22.
The show runs May 16-27 at Studio Roanoke.
The cast gathered with director Brian O’Sullivan and stage manager Brandon DuMonde for the first read-through. For some of the cast members, this was doing double duty — most of them had already been in a show earlier that day. Owen Merritt, Kelly Anglim and Gary Reid had just finished “Monkey Wrench” at Studio Roanoke. Tim Kennard and Joel Gruver had likewise had their final performance of “Lion in Winter” at Showtimers.
We’ve had one last-minute cast change. Peter Colbert had to drop out due to some unforeseen scheduling conflicts, but Joel Gruver has signed on to play Ivan the usher. I’ve been a fan of Joel’s work for some time and am delighted to be able to say he’s in my show. In fact, I saw him just Friday night in action as the French king at Showtimers.
We’ve also added on Blake Lipscomb for a small role as a Russian soldier; we’re still scouting for another Russian soldier.
So, the line-up stands:
* Andrei, a retired civil engineer who is in the audience that fateful night: Gary Reid
* Svetlana, his wife and a retired teacher: Diane Heard
* Irina, a young mother in the audience that night: Heather Sexton
* Ivan the usher, who serves as a kind of narrator: Joel Gruver
* Dmitri the pit musician: Owen Merritt
* Mosvar Barayev, the terrorist leader: Tim Kennard
* Fatima the Black Widow, one of the female terrorists: Kelly Anglim
* Olga Romanova, a brave but naive perfume sales clerk who came in off the street to try to solve the situation: Cadie Burks
* Russian soldier: Blake Lipscomb.
Gary and Diane, it should be noted, are the main characters — two audience members caught up in a horrific event beyond their control. They also showed up with almost all their lines already memorized — this even though Gary was just in a show!
The cast gathered on the set of "Monkey Wrench" for the first read-through.
Cast for “57 Hours in the House of Culture” announced
Posted by Dwayne Yancey in News, Productions, Uncategorized on April 6, 2012
Director Brian O’Sullivan has put together a very strong cast for my show “57 Hours in the House of Culture,” which premieres at Studio Roanoke May 16-27.
Here it is:
* Andrei, a retired engineer in the audience: Gary Reid
* Svetlana, his wife, a retired teacher: Diane Heard
* Irina, a mother in the audience: Heather Sexton
* Ivan, the usher: Peter Colbert
* Dmitri, the pit musician: Owen Merritt
* Barayev, the terrorist: Tim Kennard
* The Black Widow, a female terrorist: Kelly Anglim
* Olga, the perfume sales clerk who comes in off the street: Cadie Burks
Cadie is a newcomer; all the others are well-known from previous roles at theatres in the Roanoke Valley. Owen most recently appeared at Studio Roanoke in “The Emancipation of Alabaster McGill” by Jeff Goode; I believe he, Gary and Kelly are all in “Monkey Wrench,” which opens this month. Gary I know, all the others I’m looking forward to getting to know — and seeing in action (again).
We’re still looking for two young men to play small parts as Russian soldiers; they have a few speaking lines. If interested, please contact the director (or me, and I can relay a message.)
We’re also looking for a violinist willing to record four short segments of a particular piece of Russian classical music (we have the sheet music available.)
The show is a dream-like account of the 2002 Moscow theatre seige, where Chechen terrorists seized a theatre during a musical and held hundreds hostage until Russian authorities pumped the place full of poison gas.
Video: “Deanna Dupes the Devil” plays to full house at Studio Roanoke
Posted by Dwayne Yancey in News, Productions, Uncategorized, Video on March 26, 2012
Studio Roanoke in Roanoke, Va. hosted one of its quarterly “Big Idea” variety shows on Saturday, March 24, with Chris Shephard as the impresario.
Chris had asked me to put on a staged reading of a short play as part of the evening; I offered up “Deanna Dupes the Devil,” a light comedy about a young woman who tricks the Old Trickster himself.
The piece stars Lianne Jackson McCray (soon to head off to Yale Divinity School!) as Deanna, Kevin McAlexander as the devil’s minion and Mike Allen as the devil.
Katerina Yancey directed the piece.
The evening opened with readings by Ben R. Williams and concluded with a film by Chris Shepard, “Kitty Man.” The other highlight of the evening included an appearance by the Angels of Assisi, and some of the adorable kittens they have for adoption.
Best yet, we had a full house!
New director, new poster for “57 Hours in the House of Culture”
Posted by Dwayne Yancey in News, Uncategorized on March 14, 2012
More news about my upcoming show at Studio Roanoke: We have a new director and a new poster for “57 Hours in the House of Culture,” my dark full-length script about the Moscow theatre siege.
* The new poster isn’t all that new; it simply corrects a typo from the original.
* The new director is Brian O’Sullivan. Sadly, Charlie Boswell had to withdraw due to some unforeseen circumstances. I’m sorry to see Charlie go — I always look forward to working with him in any capacity. But I’m equally excited to have the chance to work with Brian, who I have admired from afar (or not so far) in many productions at Studio Roanoke.
Auditions remain on March 24 and 25; details on those in this previous post.
Boswell to direct “57 Hours,” auditions set for March 24-25
Posted by Dwayne Yancey in News, Uncategorized on February 29, 2012
Much news to report on the upcoming premiere of my full-length script “57 Hours in the House of Culture,” based on the true story of the Moscow theatre seige of 2002 where Chechen terrorists held an audience hostage.
* Charlie Boswell has agreed to direct the show. He’s directed several other things at Studio Roanoke. He helmed the very first thing done in that space, a staged reading of my one-act “The Angel of Brooklyn.” He’s since directed some of their full-length productions, including “Nobody Gets Paid,” which opens there March 7.
* Auditions for the show are set for March 24 and March 25; below I’ll copy the email that has gone out.
* Finally, there’s a poster, shown above. Sharp-eyed observers (such as myself) will notice one small error. My last name is misspelled. That’s being corrected. When there’s a new one, I’ll post it as well. That aside, it’s a marvelous poster. The artist researched the event (as did I, of course). The image is that of the actual theatre — the House of Culture of State Ball-bearing Plant No. 1. Billowing out of it are smoke and poison gas.
As you can see from the poster, the show is at Studio Roanoke May 16-27. It’s a dark, grim, spooky show, quite unlike any of my other work.
The audition release from Studio Roanoke: Read the rest of this entry »
Video: “Q Downsized” at the Liminal gallery
Posted by Dwayne Yancey in News, Productions, Uncategorized, Video on February 29, 2012
The Liminal Alternative Artspace in Roanoke, Va. hosts a monthly reading. It is geared toward writers of all sorts, though attracts a lot of poets and short storywriters. I’d never been to one of the Liminal readings, but the organizer, Cara Modisett, invited me to participate so I did.
The theme for the December 2011 reading was “downsizing.”
This shows my limited imagination: To me, spending my day in the business world, downsizing only meant one thing. Layoffs. A reduction in force. Job losses.
Conveniently, I had a piece that fit perfectly: “Q Downsized,” in which the letter Q is “let go” from the alphabet. Cara helped me find two students at Community High School to perform — Lilly Carr and Karl Kaiser.
To my amazement, everybody else at the reading that night had a very different take on “downsizing.” To them, downsizing meant . . . moving into smaller living spaces, downsizing lives, dreams, and so forth. There were some very powerful — and very sad — pieces read.
Then, at the end, came this piece, which was quite different indeed.
Fortunately, the audience howled with laughter.
The video for this is just now going up online, so that’s why it’s out of order. I had another reading in January at Liminal, “White Goes First” to match the Martin Luther King Jr. Day theme.
Video: My team’s film entry in the Marginal Arts Festival
Posted by Dwayne Yancey in News, Uncategorized, Video on February 23, 2012
In 2009, videographer Hank Ebert and I collaborated on a short film that was shown at the Grandin Theatre: “My Kid Could Paint That.”
In the years since, Hank and I have talked about working together again, but our schedules have never matched up — until now.
A few weeks ago, Hank contacted me. The annual Marginal Arts Festival in Roanoke, Va. this year included a Sweded Film Festival (a “sweded” film is a short spoof of the original; name comes from the movie “Be Kind Rewind”). Hank asked if I’d sign on to his team as a writer. I said sure.
It turns out, Sweded films don’t really need writers, but that’s another story.
The festival was the film equivalent of a 24-hour play festival (and I’ve been involved in three of those.)
There were eight teams entered. We gathered at 10 a.m. on Saturday, Feb. 18 at The Shadowbox and were given our assignment: Do a Sweded version of “Back to the Future.” Conveniently, I had already lined up actors.
The crowning touch to our version, I think, was finding an actual DeLorean. We figured we’d be stuck using matchbox cars but Blair Peyton said he remembered seeing a DeLorean in last year’s St. Patrick’s Day parade, so there must be one around. I Googled “DeLorean and Roanoke” — indeed, I found a name of a guy — then I found his number. And lo, he was home! And more than happy to bring his DeLorean out for a spin.
We were the only team that had the actual car! When the car appeared on screen for the first time at Monday night’s screening (packed house!), there were “oohs” and “aahs” and a ripple of applause around the room.
The car scenes were shot at the Greenfield Center in Botetourt County, the clock tower is from the Botetourt County Courthouse, the Libyan terrorists are circling around in The Roanoke Times parking lot, and the rest of the scenes were shot in and around actress Hannah Whitt’s house in Salem. (Roanoke is a small place; two of other entries both shot scenes at Pop’s Ice Cream shop, and at least three of the entries were shot in the Grandin Village neighborhood.)
You can see some of the other entries in this post on arts writer Mike Allen’s Arts & Extras blog.
“Deanna Dupes the Devil” set for staged reading at Studio Roanoke March 24
Posted by Dwayne Yancey in News, Uncategorized on January 31, 2012
Chris Shepard — who produces the “Big Idea” show at Studio Roanoke — asked me to put on a staged reading of a one-act for the March production.
I’ve picked “Deanna Dupes the Devil,” a light comedy about a woman who outwits Satan himself.
Here’s the poster.
The show is March 24, 8 p.m.
dwayneyancey 