Four short scripts to be produced in South Korea in December

I’ve just scored my first production in South Korea.

The Jeonju Players, an English-language company in Joenju, are producing two nights worth of short comic pieces on December 6 and 7.

Among the 14 pieces are four of mine, all of which have been previously produced:

CAN I?
A lesson in both grammar and assertiveness. A restaurant customer asks: “can I have the daily special?” A bossy waiter or waitress says “no.” Cast: Two, non-gender. Running time: Five minutes.
* Produced by Flush Ink Productions in Asphalt Jungle Shorts Festival in Kitchener, Ontario, September 2014. (Photos from that production here.)

GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH
God and the devil meet in an out-of-the-way lunch spot to discuss a
business proposition: The devil thinks the Almighty should reimburse him for
punishing the wicked. Comes in two versions, one 5 minutes, one 10
minutes. Cast: Three — 2 males, 1 female. Running time: Five
minutes or ten minutes.
* Five-minute version performed at No Shame Theatre, Roanoke, Va., August 2004 and October 2004 as part of The Best of No Shame.
* Produced by Homespun Productions, broadcast on Channel 18, Sacramento, California, October 2005. Here’s video of.
* Classroom presentation, Averett College, Danville, Va., Dec. 3, 2007.
* Radio play by Falcon Radio Theatre, Seattle, 2013. Here’s audio.
* Staged reading by Lake Players, Smith Mountain Lake, Va., April 2014. (Photos from that reading here.)

THE BEAUTIFUL OGRE AND OTHER FAIRY TALES
A father reads his daughter a fairy tale as a bedtime story — which the characters begin to act out. The girl doesn’t like how the story is going — no strong female role models, for instance — so she changes it all around. This is the result. Cast: Five — three males, two females. Running time: Eight minutes.
• Produced by the Paw Paw Village Players, Paw Paw, Michigan, Feb. 15-16, 22-23, 2008.
• Produced by Youth Education on Stage Summer Shorts, Williston, North Dakota, June 24-26, 2008.
• Produced by Subversive Theatre, Buffalo, N.Y., various nights between May 2-17, 2009.
• Produced by Play’n’Well Players, Plainview, Michigan, last weekend of May 2009.

CHEF PIERRE DOES NOT DO SIMPLE
A television producer explains to a TV chef that he need to simplify some of his language because many younger viewers do not understand them. He reacts badly and winds up creating a mess with broken eggs and flour. Cast: Four — One male, three non-gender. Running time: Ten minutes.
• Produced by Newburgh Free Academy, Newburgh, N.Y., May 2009. (Photos here.)

So, here’s the latest list of my upcoming productions:

* November 7, 8, 14, 15, 22, and 23: DEMOTING PLUTO, one-act, Short Science Play Showcase at the Explora Science Center and Children’s Museum, Albuquerque, New Mexico.
* December 6-7: THE BEAUTIFUL OGRE AND OTHER FAIRY TALES, CAN I?, CHEF PIERRE DOES NOT DO SIMPLE, and GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, by the Jeonju Players, Joenju, South Korea.
* December 19-20: LET THERE BE LIGHTS! by Mockingbird Players, Columbia City, Indiana.

And here’s a partial list of productions this year:

This does NOT include productions that came through most of my publishers; I’ll get reports on those later this year, so it’s likely there are additional productions out there I don’t know about.

* September 18, 19,20, 25, 26, 27: CAN I?, five-minute script in Asphalt Jungle Shorts XI, Kitchener, Ontario.
* September 22-24: SOMETIMES ELEPHANTS DIE STANDING UP, ten-minute play, Ghost Dog Productions, The Horse and Stables, London, UK.
* September 6: THE SKY IS FALLING, ten-minute play, Piano Fight Productions, Lagunitas (Marin County), California.
* August 16: THE FACE ON MARS, ten-minute play, Suffield Players, Suffield, Connecticut
* August 1-3: THE OTHER SIDE OF OZ, full-length script, Backyard Theatre, Billings, Montana.
* July 19: REVENGE IS SWEET WITH A SLIGHT AFTERTASTE OF IRONY, one-act, Congleton Players, Congleton, U.K. A glowing video, along with video and photos, here.
* June 14-15: BOLIVIA!, THE CALL OF THE OPEN ROAD, JIMMY’S PLAN FOR WORLD DOMINATION, and THREE TREES TALKING, one-minute plays, as part of the Gone in 60 Seconds Festival #NextGen festival, New York, N.Y. Details here.
* June 13-15: IT’S THE COW’S FAULT, DEEP INTO OCTOBER, and THE GHOST LAMP, one-minute plays, as part of the Gone in 60 Seconds Festival, US edition, New York, N.Y. Details here with an update here.
* June 5: THE CHICKEN CROSSES MADISON AVENUE and COUNTING WOLVES, one-minute plays, as part of the Gone in 60 Seconds Festival, UK edition, Halifax, UK. Details here.
* May 30: THE RING, one-act, Haylofters Theatre, Burlington, Wisconsin. (Voted second best in show.)
* May 23: SOMETIMES ELEPHANTS DIE STANDING UP, ten-minute play, staged reading by Unproduced Moon, Glasgow-Edinburg, Scotland.
* Late May: THE RING, five-minute script, as part of Newburgh Free Academy festival of short plays, Newburgh, N.Y.
* May 16: MACBETH GOES HOLLYWOOD, one-act, by Crawford County High School, Salem, Indiana.
* May 7: THE FRUITCAKE, one-act, by Hague High School, Saskatoon, Saskatchewan.
* April 29: THE FRUITCAKE, one-act, by Maryvale High School, Phoenix, Arizona.
* April 25: MACBETH GOES HOLLYWOOD, one-act, by York Comprehensive High School, York, South Carolina.
* March 28: GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, ten-minute play, staged reading by Lake Players, Smith Mountain Lake, Virginia. Details here.
* Spring 2014: OCCUPATIONS, one-act, by Viking Radio Theatre, Western Washington University, Bellingham, Washington. Audio here.
* Spring 2014: GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH, ten-minute play, by Viking Radio Theatre, Western Washington University, Bellingham, Washington. Audio here.
* Spring 2014: SOMEWHERE TONIGHT, THE LAST WASHINGTON SENATORS’ GAME PLAYS ON, ten-minute play, by Viking Radio Theatre, Western Washington University, Bellingham, Washington. Audio here.
* March 1: HIT THE BOOKS, one-act, by Shead High School, Eastport, Maine.
* January 4: SOFTBALL IS LIFE, full-length, staged reading, in Roanoke, Virginia. Details here.

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