Posts Tagged royalty-free scripts

Video: Reading of ‘Red Moon Rising in the East’

Little Theatre of Norfolk in Norfolk, Virginia hosted a Zoom reading of my play RED MOON RISING IN THE EAST on May 13, 2020. This is a one-man play based on the story of Sergei Korolev, the father of the Soviet space program. He was a force of nature who almost single-handedly willed the Soviets into space, battling both the odds and his own government. However, his name was a state secret in the Soviet Union so he’s still little-known in the West, even though all the big firsts — the first satellite, the first satellite to the moon, the first man in space, the first woman in space — were all his doing. Bill Armstrong performed this role in 2009 at 40th Street Stage in Norfolk, then again in 2010 at The Venue in Norfolk. Here he is again.

Here’s a link to previous productions of this show.

Bonus: At the end of this video is a Q&A with with actor and playwright.

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Video reading of ‘True North’

On May 2, I held a reading via Zoom of TRUE NORTH with an all-Canadian cast. Here ’tis.

Stage directions: Robin Bennett (Guelph, Ontario)
Aurora: Ella Kennedy (Hamilton, Ontario)
Gordo: Shawn Vincent (Kitchener, Ontario)
Canadian Translator: Arlene Thomas (Kitchener, Ontario)
Ursula: Emily K. Bolyea-Kyere (Hamilton, Ontario)
Vursula: Samantha Devries (Beamsville, Ontario)
Wursula: Sundance Nagrial (Toronto, Ontario)
North Star: Mason Micevski (Hamilton, Ontario)

TRUE NORTH
A quirky love story, of sorts. The North Star has abandoned his post in the sky, tired of all the pressure. He just wants to have fun. He is pursued by three Arctic mermaids, guardians of the northern realms, who want to persuade him to return to the sky. They pop up in the backyard hockey rink of a teenage girl in rural Manitoba and persuade her, however reluctantly, to go after the North Star. After all, mermaids don’t have legs and now that the North Star is inland, they’re unable to do much. The girl agrees, but only because the mermaids promise to leave her backyard hockey rink, which they have punched through. Meanwhile, a neighbor boy has a crush on the girl, which appears to be unrequited. They often play hockey, which always ends with her knocking his teeth out. In the end, the girl and the mermaids devise a plan to persuade the North Star to return to the sky, and it all comes to fruition at a Winnipeg Jets hockey game. Lots of unusual costuming opportunities and physical humor. Cast: Seven – 2 male, 4 female, 1 non-gender.

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Photo from ‘Troubleshooting’ in Florida

A technical support play.

The poster.

South Walton High School in South Walton, Florida produced three of my ten-minute plays as part of an eight-play festival: THE FOUR HORSEMEN OF THE INTERNET, THERE’S A REASON THEY CALL IT FALLING and TROUBLESHOOTING. Here’s a copy of the poster, and a scene from TROUBLESHOOTING, courtesy of director Carissa Groves.

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Another photo from ‘Four Horsemen of the Internet’ in New York

Back row, from left: War, Death, Ghosting, Trolling, Pestilence. Front row: Deletion, Viral, director Leslie Kincaid Burby, Famine

Here’s a photo of the cast and director of my 10-minute play THE FOUR HORSEMEN OF THE INTERNET, now in a festival at The Secret Theatre in New York

* More photos here and here.

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More photos from ‘The Four Horsemen of the Internet’ in New York

My ten-minute play THE FOUR HORSEMEN OF THE INTERNET has hit the stage at The Secret Theatre in New York, part of a month-long festival that is set up March Madness-style with audience voting. Each show is guaranteed four performances in hits bracket — then we find out who advances. As you can see from these photos, director Leslie Kincaid Burby has done a bang-up job.

War, Pestilence, Famine and Death.

Ghosting, Deletion, Trolling with Viral on the floor.

Audience member Robert Blumenfeld posted on Facebook: “Your play is fantastic — so original and innovative and witty and hilarious. My very dear friends the Burbys’ contributions were amazing: Leslie Kincaid Burby’s direction was brilliant, and all the performances were really great. Henry Burby [Trolling] was vicous and extraordinary, Joe Burby [War] perfect and frighteningly bellicose and Adam Burby [Viral] delightfully humorous, sprightly and athletic. Bravissimo, signore!”

He went on to add:”An evening of one-acters by you would be fantastic.” I agree!

More spectacular photos below. Read the rest of this entry »

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‘The Four Horsemen of the Internet’ in rehearsal in New York

My 10-minute play THE FOUR HORSEMEN OF THE INTERNET will open at The Secret Theatre in New York on Jan. 25, part of a competition festival that runs through February and culminates with an audience vote of winners in early March. Director Leslie Kincaid Burby shares these rehearsal photos. Our four guaranteed dates: Jan. 25., Feb. 2, Feb. 12, Feb. 20. The rest depend on whether we advance in the voting.

The cast from left to right: Henry Burby (Trolling) Joe Burby (War), Lucy McMichael (Death), Adam Burby (Viral), Emma Mueller (Ghosting), Richard Grunn (Famine), Kimberley Reisner Windbiel (Plague) and Kevin Stafford (Deletion).

The four horsemen of the apocalypse, before they get replaced.

More photos below: Read the rest of this entry »

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Praise for The American Experiment’ from a New York theatre

This came in the form of a rejection notice, but a very happy one, from a New York theatre:

“We so appreciated its arresting theatrical premise, thoughtful character work, and head-on engagement with urgent contemporary crises.”

Ultimately, though, THE AMERICAN EXPERIMENT was deemed not the right fit for that particular company. It happens. But the company didn’t need to say anything, much less such nice words.

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Praise for ‘The Christmas Goat’ from a UK producer

The Ambassadors, a theatre company in London, included my 10-minute play THE CHRISTMAS GOAT as a staged reading in its December event at the New Wimbledon Theatre in London. Producer Graham Hill sends these kind words:

“So many people came up to me afterwards and commented on how much they’d enjoyed the piece and how funny and engaging your writing was. The thing I personally love about your writing is that you don’t approach ideas and themes from the obvious angle and I think this is what hooks the audience so quickly.”

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Week 3 of ‘Exchange of Gifts touring show

My first self-produced show is now history. The Christmas show EXCHANGE OF GIFTS played nine shows in different different locations up and down western Virginia in December 2019. Here are photos from week 3 — which saw the show in Bedford at the Bower Center for the Arts, in Axton at Mountain Valley Brewing and the finale in Lynchburg at Riverviews Artspace. Next up: EXCHANGE OF GIFTS will be published in 2020 by Norman Maine / Big Dog Plays.

In Bedford: Svetlana shows Tilly what she’s found.

Axton: A very intimate space, and a dog in the audience.

Lynchburg: Stuck in the airport one last time.

MORE ON EXCHANGE OF GIFTS:
* Photos from week 2 in Critz, Monterey and Clifton Forge
* Photos from week 1 in Roanoke, Galax and Blacksburg
* Interview with Alleghany Mountain Radio
* Full tour schedule and ticket info.
* Behind the scenes of the publicity photos.
* Rehearsals begin

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Photos from ‘God and the Devil Meet for a Business Lunch’ in California

My 10-minute play GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH was produced Dec. 13-14 at American River College in Sacramento, California, directed by Zachariah Mejia.

God, the waitress, the devil. Or so I assume!

Definitely no waitress here.

Pretty sure that’s the devil on the left.

MORE FROM THE GOD AND THE DEVIL SERIES . . .

Want to see more?

* Here’s video of a group in Sacramento, California doing the same piece in 2005.
* Here’s audio from when Falcon Radio Theatre in Seattle did the script in 2013.
* Video: “God and the Devil Settle a Contract Dispute”
* Video: “God and the Devil Debate The Issues”
* GOD AND THE DEVIL MEET FOR A BUSINESS LUNCH by the Lake Players, Smith Mountain Lake, Virginia, 2014.

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