Posts Tagged plays for high schools
My one-act CURIOSITY KILLED THE CAT will be produced May 28 by RuBarb School of Performing Arts in Moose Jaw, Saskatchewan. Here’s the poster.
I got word this week that my hour-long one-act “Hamlet Goes Hollywood” will be published later this year by Big Dog Plays.
That’s the same publishing house that has published some of my other scripts, including “Santa Claustrophobia,” which has been produced 17 times. (Others from Big Dog include “Spiders” and “Red, Ripe and Round”; you can find my complete list of 0ne-acts, published and unpublished here, with this explanation of why I don’t charge royalties for unpublished work.)
Here’s the synopsis of “Hamlet Goes Hollywood,” coming soon to a play catalog near you (and, I hope, some high school stages):
HAMLET GOES HOLLYWOOD
Shakespeare himself is on the set of a Hollywood production of “Hamlet” when the director decides a few modest script changes are in order. Shakespeare objects, the director decides to experiment with setting the show in different genres — police show, science fiction, western, and so forth. The costumes keep changing, as do some of the characters. Ophelia clamors for a role with a sword, Laertes wants a bigger part, and Shakespeare himself eventually tries a rap version. Cast: 20 — 8 males, 4 female, 8 non-gender. Running time: One hour.
“Hamlet on Spring Break” — published by Playscripts — is one of my most frequently-produced one-acts.
The plot is pretty much what you think it is; Hamlet goes to the beach instead of Elsinore. Comedy ensues.
These photos are from the show’s third production, at Highland Park High School in St. Paul, Minnesota in November 2004:
Yes, you read that right: Most of my scripts are royalty-free.
Why is that?, you might wonder.
Glad you asked!
Here’s why: First, being a playwright isn’t a paying gig. Fortunately, I do have a day job (which sometimes is a night job, too, but that’s another story.) So I’m not trying to make a living at this.
My psychic payment comes from seeing my work performed (or at least knowing it’s performed, in the case of distant venues.) And I know most theatres don’t have piles of cash sitting around.
But also . . . My ultimate goal is to see my scripts published (which means they’ll get performed more often, and publishers do want to be paid, which means I get royalties there.) But most publishers won’t consider work unless it’s been produced (sometimes more than once.)
So it’s in my interest to get scripts produced — royalty-free — so I can more quickly get them in front of publishers.
If you’re a high school or community theatre looking for scripts but dreading royalty payments, this is your lucky day!
I invite you, of course, to patronize my publishers. I’ll even include a list of my published scripts. But all the rest — and believe me, I have many more — are available royalty-free. So browse through the “scripts” category to see if there’s something that strikes your fancy. If so, let me know, and we’ll see if we can do business, without any money changing hands.
* Big Dog Plays: The one-acts “Red, Ripe and Round” and “Santa Claustrophobia.”
* Brooklyn Publishers: The one-acts “The Fruitcake,” “The Kissing Consultant,” “Mac and Beth” and “The Weird Sisters Go On Holiday.”
* Eldridge Plays and Musicals: The full-length “Fairweather Friends,” the one-acts “Code 40 Verona,” “Hit the Books,” “Macbeth Goes Hollywood,” “My Girlfriend’s Stupid Talking Parrot,” and the collections “24/7” and “Animal Instinct,” the latter of which includes the one-act “Spiders.”
* Heuer Publishing: The one-act “The Fruitcake” (in conjunction with Brooklyn Publishing, a corporate cousin.
* Playscripts:The one-acts “Hamlet on Spring Break” and “Jenna and Her Prize-winning Pig Change the Course of History.”