Archive for category Video

Video: “The Ghost Lamp” at Ghosts in 60 Seconds Festival, UK

More archival video unearthed! Here’s “The Ghost Lamp” being performed at the Ghosts in 60 Seconds Festival of one-minute plays in Halifax, U.K. in October 2010.

It was previously produced at the festival’s New York version in 2009, but then was reprised in Great Britain as a Halloween piece, of sorts.

You can find the New York video here.

,

Leave a comment

Video: “The Ghost Lamp” at Gone in 60 Seconds Festival, New York

I’ve just come across some old videos of some of my pieces. Here’s “The Ghost Lamp” at the Gone in 60 Seconds Festival of one-minute plays in New York in June 2009.

This is a piece I wrote as a tribute to live theatre in the wake of Mill Mountain Theatre closing in Roanoke, Va.

Fortunately, Mill Mountain has since re-opened, but another favorite theatre of mine, Studio Roanoke, has closed.

,

Leave a comment

Video: “The Uniform” at Gone in 60 Seconds Festival, New York

I had two pieces about baseball performed at the Gone in 60 Seconds Festival of one-minute plays in New York City in June 2012.

Here’s “The Uniform.”

The other one was “Sunset in North Dakota.”

You can find still photos from both productions in this previous post.

,

Leave a comment

Video: “Sunset in North Dakota” at Gone in 60 Seconds Festival, New York

I had two pieces about baseball featured in this year’s New York edition of “Gone in 60 Seconds,” a one-minute play festival that took place at Brooklyn College in June 2012.

Here’s “Sunset in North Dakota,” a condensed version of a longer script first performed at No Shame Theatre in Roanoke, Va.

You can find still photos from both “Sunset in North Dakota” and “The Uniform” in this previous post.

,

Leave a comment

Video and photos: “The Mermaid’s Tattoo” at The Garfield Center for the Arts in Maryland

The Garfield Center for the Arts in Chestertown, Maryland produced my 10-minute script “The Mermaid’s Tattoo” as part of the theatre’s Short Attention Span festival of 10-minute plays.

The festival ran June 22-July 1.

The script is related to “My Summer as a Mermaid,” which has been produced in Massachusetts (see those photos here) and Chicago, along with a staged reading in Roanoke, Virginia.

Here’s a promotional video that has part of the show, plus some still photos.

A scene from "The Mermaid's Tattoo"

A scene from “The Mermaid’s Tattoo”

Sarah Walker as Samantha, Anna Black as Kitty the Waitress and Pete Fortenbaugh as Waiter

Sarah Walker as Samantha, Anna Black as Kitty the Waitress and Pete Fortenbaugh as Waiter

, ,

Leave a comment

Video: “The Keys to the Universe Next Door”

Part 2 of my account of Overnight Sensations 2012, the annual 24-hour play project at Hollins University. (You can find part 1 here, along with background here.)

When I drew “science fiction,” my first thought was to do a baseball play. I figured it’s not what people would expect. However, I did baseball last year, when I drew horror (see “Strong As a Bull,” about baseball and steroids.). Still, I started quizzing the cast on whether they were right-handed or left-handed, just in case.

At that point, I hadn’t had a chance to study the bios of the seven cast members to see what special talents they had. Most of them I knew already. Then director Drew Dowdy whispered into my ear that Becky Marshall was an opera singer. Not just an opera singer, but an adjunct faculty members who teaches the History of Opera at the University of Virginia.

That cinched it. How could I let such a rare and exquisite talent go unused?

So my script dealt with . . . opera.

The basic plot: Twenty years ago, a scientist discovered how to unlock the door to an alternate universe. All it takes is a sonic key, and he used his opera-singing wife to sing the notes that open the door. Problem is, that door slammed shut — with her on the other side, trapped in a horrible alternate universe. Now, he’s trying to find someone with the same, clear voice to sing those same notes so he can rescue her. Hence, “The Keys to the Universe Next Door,” which attempts to channel H.P. Lovecraft.

The script (with help from Drew Dowdy’s expert direction) makes use of Becky’s incredible voice. We see Martha Boswell (who was in my piece last year) on stage, able to see and hear this universe, but with no one able to see or hear her.

The biggest challenge I found was dealing with a 7-person cast. That’s bigger than we’ve had in the past. I had several ideas which I liked but quickly discarded because I didn’t think I could make them work with seven actors. Even in my first draft, one actor had only three lines (I fixed that in the Saturday morning revisions.)

The audio here isn’t the best, but you’ll get the idea, I hope.

Here’s the full cast, and some still photos:

* Professor Arthur Wellington: Michael Mansfield
* Theodora, his daughter: Theano Mavroidis
* Martha, his wife: Martha Boswell
* Mrs. Marshall, an opera singer: Becky Marshall
* Cassandra, her daughter, and an aspiring opera singer: Emma Sala
* Agent One, a mysterious federal agent: Jason Burton
* Agent Two, equally mysterious: Blair Peyton

bECK

Becky Marshall and Emma Sala

michael

Michael Mansfield, center, flanked by Blair Peyton (left) and Jason Burton (right)

, ,

Leave a comment

Video: Overnight Sensations 24-hour play project

For the fourth time in sixth years, I’ll be one of the writers in “Overnight Sensations,” the 24-hour play project organized by the Hollins University playwriting program in conjunction with Mill Mountain Theatre.

In previous years, I’ve written these scripts:
*2007:  “Stuck on You,” a farce about a glue gun gone bad at a prom.
*2010:  “A Vampire Soap Opera,” which is pretty much what it sounds like.
*2011:  “Strong as a Bull,” a horror piece about steroids and baseball — in the 1800s.

Here’s a video from last year’s ceremonies — that’s me in the funny hat. Most of the footage is from when we drew casts, themes, genres and so forth from a hat (not mine!)

I also have some still photos from the 2010 event (which produced “A Vampire Soap Opera”) here.

Finally, arts writer Mike Allen of The Roanoke Times has more about this year’s Overnight Sensations on his Arts & Extras blog.

, ,

Leave a comment

Video: “Deanna Dupes the Devil” plays to full house at Studio Roanoke

Studio Roanoke in Roanoke, Va. hosted one of its quarterly “Big Idea” variety shows on Saturday, March 24, with Chris Shephard as the impresario.

Chris had asked me to put on a staged reading of a short play as part of the evening; I offered up “Deanna Dupes the Devil,” a light comedy about a young woman who tricks the Old Trickster himself.

The piece stars Lianne Jackson McCray (soon to head off to Yale Divinity School!) as Deanna, Kevin McAlexander as the devil’s minion and Mike Allen as the devil.

Katerina Yancey directed the piece.

The evening opened with readings by Ben R. Williams and concluded with a film by Chris Shepard, “Kitty Man.” The other highlight of the evening included an appearance by the Angels of Assisi, and some of the adorable kittens they have for adoption.

Best yet, we had a full house!

, , , , ,

Leave a comment

Video: “Cat and Dog” in competition in Arkansas

High school student MacKenzie Bentley performed my scene “Cat and Dog” as a solo piece in a recent “Hi/Di” competition in Arkansas — and took first place.

I have a small series of these “Cat and Dog” pieces.

 

 

Leave a comment

Video: “The Tin Woman” at the Fincastle UMC talent show

A few years ago, Kevin Jones of the Kevin Jones Performing Arts Studio asked me to create a series of scenes for him based on “The Wizard of Oz.” He wanted some new material for his summer camp students to work with.

Conveniently, Oz is now out of copyright, so I was able to oblige — with about two dozen scenes collectively titled “The Other Side of Oz.”

Kevin used many of those in his summer camp. Some have since gone on to be performed elsewhere.

Here’s a video of Katerina Yancey performing “The Tin Woman” at the Fincastle United Methodist Church talent show on Feb. 8, 2012 in Fincastle, Va.

, ,

Leave a comment