Dwayne Yancey
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Video: ‘The Angel of Brooklyn’ by Attic Productions
Posted in News, Productions, Video on September 2, 2020
Attic Productions of Fincastle, Virginia has produced a video version of my one-act THE ANGEL OF BROOKLYN, starring Wyatt Ewell and Skylar Gay and directed by Sally Miller.
Attic would appreciate donations here.
THE ANGEL OF BROOKLYN
When Bud was a boy, he was a Brooklyn Dodgers fan. When the Dodgers moved to Los Angeles, he vowed to God that he would never again be a baseball fan. Now in retirement, Bud still nurses resentment; but an angel arrives to free him from his vow. Cast: Two or three, depending on which ending you choose. Either one male, one female or one male, two females. Running time: 25 minutes.
• Produced by Hovey Players, Summer Arts Festival, Waltham, Mass., July 2005.
* Staged reading at Studio Roanoke, Roanoke, Va., April 2009.
* Staged reading as a radio play, Falcon Radio Theatre, Seattle, Washington, January 2013.
Video reading of ‘The Broken Angel’
Posted in News, Productions, Uncategorized, Video on August 17, 2020
On August 15, I held a Zoom reading of my Christmas play, THE BROKEN ANGEL, with a cast from Ontario.
Stage directions: Giselle Magie (Hamilton, Ontario)
Fluffy: Mason Micevski (Hamilton, Ontario)
Riley: Ella Kennedy (Hamilton, Ontario)
Debbie: Lynne McIntee (Guelph, Ontario)
Angel: Emily Bolyea-Kyere (Hamilton, Ontario)
Church mouse: Arlene Thomas (Kitchener, Ontario)
THE BROKEN ANGEL
A Christmas story that involves a talking cat, a talking mouse, an angel and a newly-single mom and her son/daughter. Christmas is approaching and there’s not much joy for Riley (who can be anywhere from roughly 8-15). His/her parents have broken up and his/her mother says there’s not enough money for even a Christmas tree. Riley decides to fashion his/her own — out of beer cans salvaged from the trash, with sticks to serve as limbs. The mom is touched by this gesture, and, against her better judgement, agrees to hang ornaments on it — including a very old angel ornament that once belonged to her grandmother. The cat — who can talk to the audience, but no one else — tries to warn that this isn’t a good idea, but the humans don’t listen. The ornament falls and breaks, angering the mom, who orders Riley to bed while she tries to drink away her sorrows. It’s then that the broken ornament turns into a real angel, who tries to deliver an important message. Cast: Five. Two females, and three non-gender (including the child).
Video: ‘The American Experiment’ by JaYo Théâtre
Posted in News, Productions, Video on August 4, 2020
The Washington, D.C.-based JaYo Théâtre produced my play THE AMERICAN EXPERIMENT via Zoom on August 2, 2020 with an international cast (at least two of the cast members were from British Columbia).
Columbia: Lenny Mendez
Alkie: Elizabeth Aviva W
Buffy: Kira Simmons
Mrs. Page: Jacqueline Elisabeth
Agent: Matt Williams
Xenia: Fergie Fergusson-Vaux
Yo: Tamar Gasko
Zero: Megha Shetty
Narrator: Emmanuel Epitacio
THE AMERICAN EXPERIMENT
An allegory about immigration. A 13-year-old orphan has an American flag on her face. The orphanage tries to market her as a celebrity. A mysterious government agency has another plan – to test her blood and use it to replicate a new race. Cast: Eight – seven female, one male. Note that six of the seven females are teenagers. Running time: One hour.
Review of ‘The First Vampire in Toronto’
Posted in News, Reviews, Uncategorized on August 4, 2020
The Canadian playwright Christine Foster has posted this nice review of my one-act THE FIRST VAMPIRE IN TORONTO on the New Play Exchange:
“A very entertaining piece on a very unusual asylum seeker who wants to stay in Canada. A witty romp with great dialogue and lots of zany action, a truly funny “interview with a vampire.”
THE FIRST VAMPIRE IN TORONTO
A comedy about a vampire who turns up in Canada and is interviewed by the Royal Canadian Mounted Police. Cast: Five – one female, four non-gender. Note: Three of those non-gender actors play a variety of roles. Some are male, some are female, some are gender-flexible. The traditional breakdown there would be one female, two male to accommodate certain scenes but directors should feel free to cast these parts however they wish.
Review of ‘The Unopened Valentine’
Posted in News, Reviews, Uncategorized on August 4, 2020
The Canadian playwright Christine Foster has posted this nice review of MY 10-minute play THE UNOPENED VALENTINE on the New Play Exchange:
“This is such an intriguing piece on memory and regret. Do you really want to know what you don’t know?
Will the discovery only make your emotional state more painful? If you don’t investigate the mystery now, could you leave it for another time or is it better to destroy the possibility (and the knowledge) now and get it over with? One of the lovely things about the play is the resolution of this puzzle, which fully engages the audience’s imagination.”
THE UNOPENED VALENTINE
A grumpy widow with a tendency to worry is packing up her things to move into a smaller place .Her enthusiastic granddaughter is helping her, when the granddaughter opens an old schoolbook to find a valentine her granddaughter had never opened. The granddaughter wants to open it; the grandmother worries about what it might contain, and whether the course of her life would have changed if she’d opened it when she received it. Note: There also are five-minute and one-act versions of the same story. Cast: Two females — one senior, one teen-ager. Running time: Ten minutes.
Photos: ‘The Armadillo Queen’ in Colorado
Posted in News, Photos, Productions on June 19, 2020
She’s the Armadillo Queen and she doesn’t like it.
Fountain Community Theater in Fountain, Colorado produced my full-length script THE ARMADILLO QUEEN June 12-13 as an outdoor show. The show had been scheduled for indoors in April but was delayed by the COVID-19 pandemic. More photos here.
This was the premiere production. The show first had a staged reading in 2016 at Renaissance Theatre in Lynchburg, Virginia. It will be published later this year by Norman Maine / Big Dog Plays.
Video: ‘The Seven Deadly Sins’ in Virginia
Posted in News, Productions, Video on June 16, 2020
In June 2020, our pandemic summer, Showtimers in Roanoke, Virginia produced my short play THE SEVEN DEADLY SINS as a Zoom production, directed by Sally Miller. Here ’tis.
Video reading of ‘Le Verrier Vs. Adams’
Posted in News, Uncategorized, Video on June 14, 2020
I held a reading of my new play LE VERRIER VS. ADAMS, about the discovery of Neptune, on June 13, with an international cast:
Stage directions: Emily Bolyea-Kyere (Hamilton, Ontario)
Stage manager: Arlene Thomas (Kitchener, Ontario)
Urbain Le Verrier & others: Mason Micevski (Hamilton, Ontario)
John Counch Adams & others: Stephen Baltz (Christiansburg, Virginia)
George Airy & others: Brian Otto (Waterloo, Ontario)
Photos from ‘The Girl Who Made Emus Believe They Could Fly’ in Mass.
Posted in News, Photos, Productions on June 12, 2020
Emus take flight.
The Quannapowitt Players Suburban Holidays festival in Reading, Mass. produced my one-act
THE GIRL WHO MADE EMUS BELIEVE THEY COULD FLY in November and December 2019. Out of the blue, they sent me these photos with the note: “It was perhaps the best received play this year.”
More below: Read the rest of this entry »
Review of ‘An Improper Education for an Improper Lady’
Posted in News, Reviews, Uncategorized on June 5, 2020
Playwright Marj O’Neill-Butler has posted a very nice review of my full-length AN IMPROPER EDUCATION FOR AN IMPROPER LADY:
This is a delightful romp in Victorian England. A twist on the qualifications of being a governess, a bankrupt bumbling uncle determined to get his niece’s fortune by marrying her off, a forward thinking and acting young woman all leading to a happy ending (and not including a marriage). Lots of asides and creative maneuvering of Victorian mores.
I held a Zoom reading of this script in April with a mostly Australian cast. Watch it here!
AN IMPROPER EDUCATION FOR AN IMPROPER LADY
Two orphans in Victorian London pass themselves off as governesses. They find themselves employed by a minor nobleman who is trying to get his niece married before she’s 21, so he can inherit her late father’s estate instead of her. The girl appears quite mad but, in fact, is merely faking it to discourage suitors. When the governesses are instructed to get the girl presentable for a new suitor, comedy ensues. Cast: Six – four females, two males.
