Review for ’57 Hours in the House of Culture’

Here’s a nice review of my play 57 HOURS ON THE HOUSE OF CULTURE that’s been posted on the New Play Exchange:

“This is probably my favorite Yancey play. High stakes, rich characters, an immersive theatre environment — what’s not to like? You certainly don’t need to know recent Russian history to appreciate this effort. Be sure to give it a look.”
— Kenley Smith

57 HOURS IN THE HOUSE OF CULTURE
An audience once died simply for its love of theatre. This is a dark play that re-imagines the 2002 Moscow theatre siege, where Chechen terrorists seized a theatre and held hundreds hostage until Russian authorities gassed everyone. Audience members are held in the lobby, while “soldiers” guard the doors. At showtime, the doors open and patrons enter to find the theatre swirling with poison gas (presumably, you’ll use dry ice), seats overturned, and dead bodies strewn about, while a broadcast announcement plays about the end of the hostage drama. When everyone is seated, the dead bodies come to life, as theatre ghosts, re-telling the tale. Cast: This has been done with as few as nine. Eight main cast members — two male, four female, two non-gender — plus two male soldiers – plus five to seven audience members who are enlisted. And some voices, which can be recorded. Running time: One and a half, no intermission.
* Produced by Studio Roanoke, Roanoke, Va., May 16-27, 2012.
* Staged reading at Sweet Briar College, Sweet Briar, Virginia, March 19, 2016.

More, lots more, about 57 HOURS IN THE HOUSE OF CULTURE:

MORE ON “57 HOURS IN THE HOUSE OF CULTURE”:
* Photos from March 2016 staged reading at Sweet Briar College
* Poster from the Sweet Briar College reading.
* How the Sweet Briar College reading came about
* “57 Hours” called “well-crafted and compelling”
* Video: “57 Hours in the House of Culture” at Studio Roanoke in May 2012
* Backstage graffiti from the show
* Photos from the show
* Audience reaction to the show
* Review: “It ain’t ‘Oklahoma!'”
* Congressman Goodlatte attends the show
* Review: “Most interactive show I’ve seen”
* Media interviews about the show
* The set takes shape
* Rehearsal photos
* Rehearsal begins
* The poster for the show

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