Posts Tagged monologues
Three of my short pieces were performed as staged readings at the Garfield Center for the Arts in Chestertown, Maryland on Feb. 13, 2015 as part of the center’s Valentine’s weekend event.
Specifically, it was an event for the reading of erotic poetry.
My pieces — CHERRY POP TARTS, MY CRIMSON LOVE and LUST — aren’t poetry. But they are monologues. Whether they qualify as erotic, well, I guess tastes vary, eh?
Get your mind out of the gutter. CHERRY POP TARTS really is about the breakfast pastry. MY CRIMSON LOVE is about a Norway maple. And LUST, well, LUST really is about LUST — one of the pieces from the ten-minute script called THE SEVEN DEADLY SINS: THE MONOLOGUES.
Coincidentally, these were performed the same night that I had a staged reading of one of my full-length scripts in New York: Poetic Theater Productions did a reading of my dark play about Chernobyl, 39 HOURS IN THE SOVIET CITY OF ROSES.
* March 19: Staged reading of SOFTBALL IS LIFE, Sundog Theatre, New York, N.Y.
So far in 2015:
* Feb. 13: Staged reading of 39 HOURS IN THE SOVIET CITY OF ROSES, Poetic Theater Productions, New York, N.Y.
* Feb. 13: Staged reading of three short pieces: CHERRY POP TARTS, MY CRIMSON LOVE and LUST, at Garfield Center for the Arts, Chestertown, Maryland.
* Feb. 6: Production of MACBETH GOES HOLLYWOOD, Gull Lake High School, Richland, Michigan.
* Jan. 3: Staged reading of MISS COW PIE BINGO, Showtimers, Roanoke, Virginia.
The Liminal gallery (housed in the same building as Community High School) in Roanoke, Va., hosts monthly readings. They’re built around a particular theme — usually something on display in the gallery, or something students are studying.
Writers from both the school and community are invited. Most of these are short story writers, but I’ve been going — and reading organizer Cara Modisett has been kind enough to recruit students to perform my work.
For the Nov. 29, 2012 reading, the theme was based on “Children in the Shadow of Conflict: Selected Novels and Cultural Perspectives,” a course being taught at the school.
Hannah Garry performed my piece “Coyote,” about how an illegal immigrant had to pay off a “coyote” — one of the border crossing guides — to get her family across. It was inspired by a newspaper story I read some years ago about how dangerous such crossings can be because many “coyotes” are quite unscrupulous.
Immigration is a theme of another one of my works — the yet unpublished and unproduced full-length script “The Ballad of Alejandro Lopez,” which is currently under consideration at a theatre in New York.