Emerson Arts in Hamilton, Ontario produced three short pieces of mine as part of their spooky October festival. Here’s a photo from one of them — ‘Delicacies.’ Don’t ask what she’s eating. That’s the punch line.
Here’s the promotional image for THE PICTURE WINDOW, a 10-minute play of mine that will be produced in November by The Orange Players in Orange, Connecticut.
Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts on the New Play Exchange this very nice review of MISS MITCHELL’S COMET, my two-person (but mostly one-woman) play about Maria Mitchell, America’s first female astronomer.
“Fascinating and well-rendered story about an important but not-well-enough-known figure in scientific history. The use of the supporting actor to play the whole cast of characters in Maria’s life is an excellent move and really brings the focus on what matters: centering Maria Mitchell in a world that doesn’t give her achievements enough credit. Fabulous piece, and I always love seeing amazing historical women centered. ”
You can find a video production of this script here.
Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts this lovely review on the New Play Exchange of my one-act THE WEIRD SISTERS GO ROGUE:
Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”Love this piece! Incredibly creative female-centric take on Macbeth that is sure to delight Shakespeare lovers, witch enthusiasts, and appreciators of parody/comedy alike. I’m always enthralled by pieces that give additional voices to the more “minor” characters in well known tales, and “The Weird Sisters Go Rogue” does not disappoint. ”
Chill Bucket Productions, based both in Seattle and Westchester County, New York, produced by 10-minute play SOMETIMES ELEPHANTS DIE STANDING UP, in July.
For the ninth time in 14 years, I was invited to be a writer in Overnight Sensations, the 24-hour play festival put on each year by Hollins University and Mill Mountain Theatre. This year it was virtual, which was not as much fun, but I still got a good script out of it. It was produced July 10.
THE SECRET AGENT
An incompetent Russian spy is given a make-or-break assignment: Instead, he hacks into a crystal ball of a fortune teller, who is being visited by a baseball scout. Comedy ensues. Cast: Four — three male, one female.
Cone Man Running is an annual festival of short plays in Houston, Texas. Well, almost annual. I had two shows set for 2020 that got scratched due to the pandemic but they’re now being done in this multi-week festival in late June / early July 2021.
Two border patrol agents in Arizona are on the look-out for illegal immigrants. The veteran explains the desert to the rookie, with a twist at the end. (play) (Directed by Christine Weems; Performed by Scott Searles and David Toscano)
A young assistant at a funeral home misunderstands a widow’s instructions. (play) (Directed by Kacie Adams; Performed by Rafael Lozano and David Toscano)
In January, Showtimers community theatre in Roanoke, Virginia contacted me and asked if I would write them a script for a special event they were planning in May. What they wanted was a “silly script for a cast of six” that they’d do as an outdoor reading. The catch is that the cast wouldn’t see the script until they stepped on stage. So I wrote the script — THE SHOW MUST GO ON (WITH SOME EXCEPTIONS. To test it out, I held a private Zoom reading with a cast from Canada. Let’s give a shout-out to that cast:
Stage directions: Stacey Halloran
Toby: Robin Bennett
Percy: Mason Micevski
Cee Cee: Emily Bolyea-Kyere
Dee Dee: Arlene Thomas
Third Tree From the Left: Giselle Magie
Director: Lynne McIntee
Showtimers cast the show randomly, so wound up with one man playing a female role and one woman playing a male role:
Toby: Norm Fergusn
Percy: Sherilyn Lawson
Cee Cee: Bev Amsler
Dee Dee: Owen Merritt
Third Tree From the Left: Cathy Fisher
Director: Jayne Brill
Curtain call. From left: Cathy Fisher, Owen Merritt, Bev Amsler, Norm Ferguson, Jayne Brill, Sherilyn Lawson.
For more photos, see here.
Rough Magic Shakespeare Company in Florida produced four of my short pieces as part of their Shakespeare’s birthday celebration on April 23, 2021. Three of the four pieces — THE SHIPWRECK, THE GROUNDSKEEPER and MESSAGE IN A BOTTLE — were written in their quick-turnaround challenge event, the 14th quick turnaround play festival I’ve been involved in. The fourth, LADY MACBETH’S LAMENT, is an older piece.
I’ve now taken part in 14 quick turn-around play festival. The latest was through the Rainy Day Arts Collective in Seattle although in this new virtual reality, the writers, directors and actors were from all across North America. We gathered virtually on Friday, April 9. I drew these prompts: Who (a bride), What (a game), Where (someplace scary), When (a family reunion and Why (“you’re going to have choose, is it [blank] or me?”). My result: BLOOD RELATIVES, directed by Sally Miller of Roanoke and starring Kelsey Boulton of Seattle as a vampire and Stephanie Kamau of Olympia, Washington as the fiance marrying into a vampire family.