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Overnight Sensations 2023: Saturday by day

For the 10th time, I took part as a writer in Overnight Sensations, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. I’ve also taken part in five other timed writing events at other theatres, so this was my 15th overall. A previous post showed went what down on Friday night.

What you don’t see are pictures of me writing Friday night and into early Saturday morning. In terms of a firm idea, I had what might have been my latest start ever but my earliest finish (12:30 a.m.) Once I get an idea, I can write pretty fast. I’ll explain more about what I wrote in another post.

Here’s how things went down Saturday morning and early afternoon.

We writers gathered at 8 a.m. for a meeting with our director, followed by a production meeting led by technical director Shelby Love (in the chair on stage). This went over the order of the shows (which sometimes is dictated by production needs), how transitions will work, and any production details — light cues, sound cues, etc.

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Overnight Sensations 2023: Friday night

For the 10th time, I took part as a writer in Overnight Sensations, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. I’ve also taken part in five other timed writing events at other theatres, so this was my 15th overall.

Here’s how Overnight Sensations works: On Friday night, the six writers, six directors, and assorted cast members (and others) gathered at Hollins. The writers drew our directors from a hat (I drew Richie Cannaday), then the writers and directors took turns drawing a cast, a genre (I drew science fiction), a setting (a cocktail lounge) and a theme (I drew “before we lie to others we must first lie to ourselves.”) Then the writers have overnight to write a 10-minute play, with rehearsals on Saturday and a show Saturday night. Here’s how this year’s went down.

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List of 2023 productions

  1. Spring, date unknown: THE ARMADILLO QUEEN (full-length), Arlington Schools, Arlington, Ohio
  2. June: REVENGE OF THE FAIRY QUEEN (full-length), Renaissance Theatre, Lynchburg.
  3. July 8: 17,000 HEADS (ten-minute play), Overnight Sensations 24-hour play festival, Hollins University, Roanoke, Virginia.
  4. July 22: THE SANDSTORM (ten-minute play), St. Elizabeth’s Episcopal Church, Roanoke, Virginia
  5. Aug. 5: Staged reading of PLAY BALL! (full-length), Ragged Edge Theatre, Harrodsburg, Kentucky
  6. August 26-27: THE BEAUTIFUL OGRE AND OTHER FAIRY TALES and THAT PLAY ABOUT THE GURGLING MUD PIT (ten-minute), Griffin Theatre, Bear, Delaware.
  7. Sept. 19: THE ONE-WORD MACBETH (one-act), Basha High School, Chandler, Arizona.
  8. Oct. 19: THE ONE-WORD MACBETH (one-act), Fort Zumwalt West Drama Club, O’Fallon, Missouri.
  9. Oct. 23, 2023: CODE 40 VERONA (long one-act), Rock Springs Christian Academy, Milner, Georgia.
  10. Oct. 26, 2023: MACBETH GOES HOLLYWOOD (long one-act), Red Wing High School, Red Wing, Minnesota.
  11. December 1-10: SVETLANA’S FIRST CHRISTMAS AWAY FROM HOME (one-act), Xenia Area Community Theatre, Xenia, Ohio.
  12. December 1-10: ON THE THIRETEENTH DAY OF CHRISTMAS (full-length), Mountain Roots Community Theatre, Belle, West Virginia
  13. December 7: CODE 40 VERONA (long one-act), Colorado Early Colleges, Colorado Springs, Colorado.
  14. December: THE FRUITCAKE (one-act), Newton County High School, Decautur, Mississippi
  15. December: THE CHRISTMAS SPIDER (one-act), Crash Course Theater, Manchester, Tennessee
  16. December: A ZOMBIE CHRISTMAS (ten-minute), Crash Course Theater, Manchester, Tennessee
  17. December: SHAKESPEARE’S LOST CHRISTMAS PLAY (full-length), RBCC Players, Shoreline, Washington.
  18. December 16: THE FRUITCAKE (one-act), Blountstown High School, Marianna, Florida.

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‘No Two Snowflakes’ in New York festival

My 15-minute play NO TWO SNOWFLAKES is playing in the one-act festival at The Secret Theatre in Queens — from January 10 to August 6, with the potential to advance on to the semi-finals and finals.

From left: Director Melissa Lewyn, Emma Sarah Davis, me, Alex Hardin and Cameron Reese.

This is the second time I’ve had a show in that festival. I had THE FOUR HORSEMEN OF THE INTERNET in 2019.

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Video: ‘Shakespeare’s Lost Christmas Play’ in Minnesota

Pine Island High School in Pine Island, Minnesota produced SHAKESPEARE’S LOST CHRISTMAS PLAY in December 2021. Here it is:

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Video: ‘Shakespeare’s Lost Christmas Play’ from four different continents

The New Jersey-based Zenith Players did an online reading of SHAKESPEARE’S LOST CHRISTMAS PLAY, with actors from four different continents — the United States in North America, The Netherlands in Europe, Colombia in South America and Australia in, well, Australia.

The cast:

Steve Anderson as ERASMUS
Caitlin Jurewicz as ANN
Andrea Atwood as THOMASINA
Patrick Brockway as BARTHOLOMEW
Tatanya Löwed-Spence as SUSAN
Tricia Pisarra as EMMA
Claire Bochenek/Mira Singer as TOBY
Emily Brennan as OLIVIA
Joshua Boyer as ROGER
Emily De Rango as JOAN THE STAGE MANAGER
Shakira Searle as HORTENSE THE DIRECTOR

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‘Let There Be Lights!’ and ‘Santa in the Off-Season’ in San Jose

The Dr. Martin Luther King Jr. library in San Jose, California has its own theatre program for kids. On December 17, the library produced, virtually, two of my short scripts — the five-minute SANTA IN THE OFF-SEASON and the one-act LET THERE BE LIGHTS!

Here are some photos and the program:

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‘Shakespeare’s Lost Christmas Play’ in Birmingham, UK

Infinite Arts in Birgmingham, England, UK produced my play SHAKESPEARE’S LOST CHRISTMAS PLAY in December, and also sent along some fan mail!

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Staged reading of ‘The Girl Who Made Emus Believe They Could Fly at Christmas’

The Valley Playhouse in Harrisonburg did a staged reading of my one-act THE GIRL WHO MADE EMUS BELIEVE THEY COULD FLY AT CHRISTMAS on December 5, 2021, as part of the city’s Winterfest festival.

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Review: ‘Miss Mitchell’s Comet’

Jack Seamus Conley of the Rainy Day Arts Collective in Seattle, Washington posts on the New Play Exchange this very nice review of MISS MITCHELL’S COMET, my two-person (but mostly one-woman) play about Maria Mitchell, America’s first female astronomer.

“Fascinating and well-rendered story about an important but not-well-enough-known figure in scientific history. The use of the supporting actor to play the whole cast of characters in Maria’s life is an excellent move and really brings the focus on what matters: centering Maria Mitchell in a world that doesn’t give her achievements enough credit. Fabulous piece, and I always love seeing amazing historical women centered. ”

You can find a video production of this script here.

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