Archive for August, 2012
“Yvonne” gets their attention in Portland, Oregon
Posted by Dwayne Yancey in News, Productions, Reviews, Uncategorized on August 6, 2012
Post 5 Theatre in Portland, Oregon recently produced two of my short pieces as part of their show called “Death/Sex: Portland,” in which every pieces was about one or the other.
One of my entries dealt with both: “Yvonne’s Worst Fears,” in which a woman is tied up during kinky sex — only to have her partner suffer a heart attack. The other piece was called “Another Reason Why Yvonne Doesn’t Get Asked Out Very Much,” which dealt with a similar theme, just from a different point of view.
The theatre didn’t have any photos to share, but did pass on this account of the show:
“Know that YVONNE’S WORST FEARS opened the show (our lovely Yvonne was tied to a headboard below a podium as the audience filed in, smiling and trying to wave as I did the curtain speech) and kicked off the production beautifully. ANOTHER REASON appeared early in the second act, with the girls drinking cocktails and poor Dave (myself, I couldn’t help it) yelling the same “safe word” from backstage. As soon as the audience saw Yvonne on stage again, I could tell (even from backstage, with my hand in my mouth) that the audience perked up. Thank you for helping to make my first advance into producing such a success.”
Backstage graffiti from my show at Studio Roanoke
Posted by Dwayne Yancey in Photos, Productions, Uncategorized on August 6, 2012
At Studio Roanoke, the black box theatre in Roanoke, Va. which recently closed, the tradition was for actors and actresses to sign the wall in the dressing room — along with a key quote from the show.
Here’s the part of the wall dedicated to my show “57 Hours in the House of Culture,” which turned out to be the next-to-play show there. (The show was about the Moscow theatre siege of 2002.)
Kind of reminds me of the cover for The Rolling Stones’ originally wanted for their album “Beggars Banquet.”
MORE ON “57 HOURS IN THE HOUSE OF CULTURE”:
* Photos from the show
* Audience reaction to the show
* Review: “It ain’t ‘Oklahoma!'”
* Congressman Goodlatte attends the show
* Review: “Most interactive show I’ve seen”
* Media interviews about the show
* The set takes shape
* Rehearsal photos
* Rehearsal begins
* The poster for the show
