I have almost an entire catalog of Shakespeare riffs, mostly one-acts aimed at schools. In fact, the very first script I had published was “Hamlet on Spring Break,” through Playscripts.
One sub-genre of Shakespeare I’ve been exploring has been prequels. I have two of them so far — “Macbeth, the Prequel” and “Hamlet, the Prequel” with two more in the editing stage.
This past week, “Macbeth, the Prequel” was staged at a private event in Roanoke, through the auspices of the Grandin Ensemble and the Star City Creators Society.
Here’s the result.
This script tells how the future Lady Macbeth came to be cursed, with deadly ramifications down the line. Her mother died in childbirth bearing her and her father, who longed for a male heir, refused to name her or acknowledge her as his heir. As you’ll see, I use the most famous (and some of the not-so-famous) lines from the actual Scottish play, but re-arrange them and assign them to different characters as the Thane of Skye plots how he can put his family on the throne — only to conclude that “the girl” is the key.
* The Thane of Skye: Gary Reid
* Witches: Brandon duMonde, Ashley Smith, Leisa
* Lady Macbeth: Kelly Anglim
* Servant: Darlene Fedele
* Thane of Cawdor: Owen Merrit
* Macbeth: Owen Merritt (double-cast)
Directed by Brandon duMonde.
In addition, Charles Reynolds created some very spooky music to go with it, which you can find here.